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Women in Film Noir

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Author(s): E. Ann Kaplan
Publisher: British Film Institute
Year: 1980

Language: English

Cover
Half-title
Title
Copyright
Contents
Acknowledgments
Notes on Contributors
Introduction to New Edition
Introduction to 1978 Edition
1. Klute 1: A Contemporary Film Noir and Feminist Criticism
2. Woman's Place: The Absent Family of Film Noir
3. Women in Film Noir
4. Duplicity in Mildred Pierce
5. The Place of Women in Fritz Lang's The Blue Gardenia
6. Double Indemnity
7. Klute 2: Feminism and Klute
8. Resistance through Charisma: Rita Hayworth and Gilda
9. Postscript: Queers and Women in Film Noir
10. Female Spectator, Lesbian Spectre: The Haunting
11. Femme Fatale or Lesbian Femme: Bound in Sexual Differance
12. The Postmodern Always Rings Twice: Constructing the Femme Fatale in 90s Cinema
13. The 'Dark Continent' of Film Noir: Race, Displacement and Metaphor in Tourneur's Cat People (1942) and Welles' The Lady from Shanghai (1948)
14 'Gilda Didn't Do Any of Those Things You've Been Losing Sleep Over!': The Central Women of 40s Films Noirs
Bibliography
Index