Surely you’ve experienced it before: you’re listening to a piece of music and all of a sudden you find a lump in your throat, a tear in your eye, or a chill down your spine. Whether it’s Beethoven’s Choral Symphony or The Verve’s ‘Bittersweet Symphony’, a bit of blues or a bit of baroque, music has the power to move us. It’s a language which we all speak. But why does it have this effect on us? What is going on, emotionally, physically and cognitively when listeners have strong emotional responses to music? What, if anything, do such responses mean? Can they tell us anything about ourselves? Jeanette Bicknell uses research in philosophy, psychology, neuroscience, and anthropology to address these questions, ultimately showing us that the reason why some music tends to arouse powerful experiences in listeners is inseparable from the reason why any music matters at all. Musical experience is a social one, and that is fundamental to its attractions and power over us.
Author(s): Jeanette Bicknell
Year: 2009
Language: English
Pages: 208
Contents......Page 6
Preface......Page 8
Acknowledgements......Page 18
1 The Tears of Odysseus......Page 20
2 History: Music Gives Voice to the Ineffable......Page 42
3 Tears, Chills and Broken Bones......Page 64
4 The Music Itself......Page 80
5 Explaining Strong Emotional Responses to Music I......Page 96
6 Explaining Strong Emotional Responses to Music II......Page 108
7 The Sublime, Revisited......Page 136
Conclusion: Values......Page 158
Bibliographic Notes......Page 170
C......Page 180
K......Page 181
N......Page 182
S......Page 183
Z......Page 184
