Revealing what is 'Islamic' in Islamic art, Shaw explores the perception of arts, including painting, music, and geometry through the discursive sphere of historical Islam including the Qur'an, Hadith, Sufism, ancient philosophy, and poetry. Emphasis on the experience of reception over the context of production enables a new approach, not only to Islam and its arts, but also as a decolonizing model for global approaches to art history. Shaw combines a concise introduction to Islamic intellectual history with a critique of the modern, secular, and European premises of disciplinary art history. Her meticulous interpretations of intertextual themes span antique philosophies, core religious and theological texts, and prominent prose and poetry in Arabic, Persian, Turkish, and Urdu that circulated across regions of Islamic hegemony from the eleventh century to the colonial and post-colonial contexts of the modern Middle East.
Author(s): Wendy M. K. Shaw
Publisher: Cambridge University Press
Year: 2019
Language: English
Pages: xx+366
Cover
Half-title page
Title page
Copyright page
Epigraph
Contents
List ofFigures
List ofColor Plates
Preface
Note on Transcultural Communication
Introduction From Islamic Art to Perceptual Culture
1 The Islamic Image
2Seeing with the Ear
3The Insufficient Image
4Seeing with the Heart
5Seeing through the Mirror
6Deceiving Deception
7The Transcendent Image
8The Transgressive Image
9Mimetic Geometries
10Perspectives on Perspective
Conclusion:Out of Perspective
References
Index