Way Beyond Monochrome: Advanced Techniques for Traditional Black & White Photography including digital negatives and hybrid printing

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Photo Techniques Magazine stated: "All our readers need to know about this very useful book." Indeed, there is no other compendium that is as in-depth as this for the beauty and magic of fine-art black-and-white photography. With 560 pages and over 1,000 illustrations, Way Beyond Monochrome starts with conceptual lessons of composition and takes you through image capture, exposure, controlling tonality, variable-contrast paper, archival printing, mounting, framing and presentation with simple concepts to an advanced level. This new edition has been completely revised and heavily expanded, adding over 250 pages to the original edition with new chapters on print mounting, spotting, framing, digital negatives, utilizing digital technologies for alternative processes, and fabulous do-it-yourself projects. Overall, the authors have created a thoroughly researched, technologically sound yet aesthetically pleasing, inspirational bible for monochrome photography.

New to this edition:

    • almost double the content

    • a new section discussing the path from visualization to print, illustrating the interaction between eye and brain, explaining the rules of composition and when to break them to produce photographs with impact

    • a new section on presentation including hands-on mounting, matting, spotting, and framing

    • image capture has a more in-depth focus, now covering pinhole photography and digital capture

    • now includes making and printing with digital negatives

    • a new section discussing the pros and cons of typical image-taking and image-making equipment

    • plus new do-it-yourself projects, including many darkroom tools and an electronic shutter tester

    • a useful collection of templates, to copy, cut-out and take with you in your camera bag or use in the darkroom

    • an appendix with all the recipes to make your own darkroom chemicals from scratch

    • all illustrations improved and updated

    • improved index with 1,400 references

    Author(s): Ralph Lambrecht, Chris Woodhouse
    Edition: 2
    Publisher: Routledge
    Year: 2010

    Language: English
    Pages: 542

    Front Cover
    Way Beyond
    Monochrome
    Copyright Page
    Contents
    Foreword to the First Edition
    Foreword to the Second Edition
    Preface and Acknowledgments
    Introduction
    Part 1: The
    Basics
    From Visualization to Print
    Chapter 1: Eye and
    Brain
    Electromagnetic Spectrum and Light
    The Anatomy of Human Vision
    The Human Visual System
    Chapter 2: Pictorial
    Maturity
    From Child’s Play to Perfection
    From Novice to Photographic Artist
    Are You a Hunter or a Sculptor?
    The Evolution of an Artist
    Chapter 3: Photographic
    Quality
    Image Quality
    Negative Quality
    Print Quality
    Chapter 4: Timing Print
    Exposures
    Arithmetic (Traditional) Timing
    Geometric (f/stop) Timing
    Hardware Requirements
    Conclusion
    Chapter 5: Paper and Print
    Contrast
    Fixed-Contrast Paper
    Variable-Contrast (VC) Paper
    Chapter 6: Basics of Photographic
    Printing
    Expose for the Highlights
    Control the Shadows with Contrast
    Direct the Viewer’s Eye
    Chapter 7: Archival Print
    Processing
    Fixing
    Toning
    Washing
    Image Stabilization
    Print Drying and Flattening
    Print Deterioration
    Print Storage
    Image Permanence
    Additional Research
    Chapter 8: Mounting and Matting
    Prints
    Description
    Mounting Styles
    Mounting Materials
    Sheet Size and Thickness
    Color
    Mount Size
    Print Orientation and Placement
    Mounting Tools and Recommended
    Practices
    Mounting and Matting (Step by Step)
    Dry-Mounting
    Matting
    Corner-Mounting
    Print Identification
    Chapter 9: Print
    Spotting
    White Spots and Black Spots
    Spotting Equipment and Materials
    Print Spotting Process
    Chapter 10: Framing and Displaying
    Prints
    Choosing a Frame
    Glazing Considerations
    Framing Techniques
    Exhibition
    Chapter 11: What Size Is the
    Edition?
    Arguments for Limiting Editions
    So what to do?
    Alternatives
    Conclusion
    Part 2: The
    Science
    Tone Reproduction
    Chapter 12: Introduction to the Zone
    System
    Zones
    Visualization
    Exposure and Development
    Zone System versus Automated Metering
    Chapter 13: Introduction to
    Sensitometry
    Characteristic Curves
    Exposure and Density
    Digital Sensitometry
    Chapter 14: Tone
    Reproduction
    Film and Paper Are Setting the Tone
    Tone Reproduction and the Zone
    System
    Standard Values and Their Manipulation
    Tone-Reproduction Theory
    Digital Tone Reproduction
    Chapter 15: Image
    Gradation
    Toe and Shoulder in Films
    Toe Shapes in Papers
    Combining Film and Paper
    Digital Image Gradation
    Image Capture
    Chapter 16: Imaging
    Paths
    Chapter 17: Sharpness and Depth of
    Field
    Limits of Human Vision and Normal Viewing
    Distance
    Circle of Confusion
    Depth of Field
    Depth of Focus
    Diffraction or Limits of Resolution
    Sharpness and Image Clarity
    Modulation Transfer Function (MTF)
    Chapter 18: Critical
    Focusing
    What Is Reasonable?
    A Simple Focus Target
    Improving View Camera Focus
    A Simple Check
    Using a Fresnel Lens
    An Advanced Focus Target
    A Practical Hint
    Chapter 19: Pinhole
    Photography
    Image Formation
    Making Your Own Pinhole Camera
    The Optimal Pinhole Diameter
    Pinhole Aperture, Exposure and
    Focus
    Pinhole Alternatives
    Chapter 20: Basics of Digital Capture
    Digital Camera Sensors
    Tonal Control
    Bit Depth
    Posterization
    Dynamic Range
    Preparing for Digital Output
    Sharpening
    Imaging File Formats
    Archival Storage
    Chapter 21: Digital Capture
    Alternatives
    Imaging Paths
    Quality Parameters
    Measuring Digital Resolution
    Comparing Image Capture Alternatives
    Scanner Assessments
    Film Choices for Scanning
    Comparing Final Print Quality
    Negative Control
    Chapter 22: Introduction to
    Exposure
    EVs
    Reciprocity Failure
    Contrast Control
    Spectral Sensitivity
    Filters
    Lens Extension
    Bellows Extension
    Chapter 23: Development and Film
    Processing
    Film Processing in General
    Developers and Water
    Characteristic Curve, Contrast and Average
    Gradient
    Time, Temperature and Agitation
    Normal, Contraction and
    Expansion Development
    Optional Processing Steps
    Washing the Film
    Testing for Permanence
    Drying the Film
    After-Treatment to the Rescue
    Negative Storage
    Chapter 24: Advanced
    Development
    Outline
    Results
    Chapter 25: Creating a
    Standard
    Reading Shadows and Highlights
    Practical Boundaries
    Speed Point
    Average Gradient
    Chapter 26: Customizing Film Speed and
    Development
    1. Quick and Easy
    2. Fast and Practical
    3. Elaborate and Precise
    Chapter 27: Influence of Exposure and
    Development
    A Historic Study
    The Case Study
    Exposure Deviation
    Development Deviation
    Chapter 28: Exposure
    Latitude
    Controlling Latitude
    Latitude and Image Quality
    Chapter 29:
    Pre-Exposure
    Theory and Testing
    Making Pre-Exposures
    In Practice
    Further Variations
    Chapter
    30: Applied Zone System
    Local and Overall Contrast
    Contrast Control Techniques Compared
    From Negative Density Range to Paper
    Grade
    Final Thoughts about Successful Contrast
    Control
    Chapter
    31: C41 Zone System
    Faded Memories
    Film Choice
    C41 Processing
    Agitation
    Material Testing
    Film Speed
    Chapter
    32: Quality Control
    Simple Photographic Controls
    Keep It Simple
    All Change
    Quality Testing with a Target
    Exposure and Development Corrections
    Exposure Correction
    Development Correction
    Process Control
    Chapter
    33: Unsharp Masking
    How It Is Done
    What a Difference
    Why It Works
    Planning a Mask
    Chapter
    34: Masking for Complete Control
    Masking
    Pin Registration
    The Shadow Contrast Mask (SCIM)
    The Highlight Mask
    The Fog Mask
    The Dodge Mask
    The Inkjet Dodge Mask
    Chapter
    35: Digital Negatives for Contact Printing
    Process Overview
    Digital Image Preparation in Detail
    Digital Negatives from Imagesetters
    Contact Printing
    About Halftones
    Chapter
    36: The Copy-Print Process
    Process Overview
    Process Optimization
    Making a Transfer Function
    Comparing with Other Processes
    Final Thoughts
    Advanced Print Control
    Chapter
    37: Fine-Tuning Print Exposure and Contrast
    Print Exposure
    Print Contrast
    Chapter
    38:Measuring Paper Contrast
    Contrast Standards
    Variable-Contrast (VC) Paper
    Equipment and Test Procedure
    Generating Your Data
    Measuring Contrast
    The Alternative Method
    Chapter
    39: Contrast Control with Color Enlargers
    Test Procedure
    Generating the Data
    Calibration
    Exposure Variations
    Chapter
    40: ensation for Contrast Change
    Chapter
    41: Basic Split-Grade Printing
    VC Filter Techniques
    The Value of Graphs
    Convention, Contrast Changes Exposure
    Split-Grade, Exposure Changes Contrast
    Practical Considerations
    Chapter
    42: Advanced Split-Grade Printing
    Additive Exposure
    Kilfane Waterfall
    Further Controls
    Enhancing Shadows
    Creating Midtone Definition
    Adding Highlight Detail
    Practical Considerations
    Chapter
    43: Print Flashing
    Flashing Fixed-Grade Papers
    Flashing Variable-Contrast Papers
    Adding Highlight Detail
    Flashing Equipment
    Safelight Safety
    Determining the Flash Exposure
    Conclusions
    Chapter
    44: Paper Reciprocity Failure
    Measuring Paper Reciprocity Failure
    Chapter
    45: Miscellaneous Material Characteristics
    Chapter 46: Factorial
    Development
    Development Factor
    Establishing a Development Factor
    Compensating for Developer Activity
    Chapter 47: Print
    Bleaching
    Liquid Light
    Bleach, Toner and Archival Processing
    Chapter 48: Print
    Dry-Down
    Practical Assessment
    Gleaming Gem to Mud Brick
    Highlights
    Midtones
    Shadows
    On Assignment
    Chapter 49: Above Malham
    Cove
    Keeping It Simple
    Print Visualization
    Printing
    Chapter 50: Cedar
    Falls
    Chapter 51: Clapham
    Bridge
    Exposure
    Processing and Printing
    Chapter 52:
    Corkscrews
    Problems
    Picture Setup
    Metering Considerations
    Print Visualization
    Chapter 53: Portrait Studio
    Lighting
    Studio Lights
    Three-Point Lighting
    Chapter 54: Ingatestone
    Hall
    Nature or Nurture
    Metering and Contrast
    Development
    Printing
    Chapter 55:
    Heybridge
    Chapter 56:
    Karen
    Printing
    Chapter 57: Light-Painted
    Flowers
    The Concept
    The Tools
    Taking the Photographs
    Chapter 58:
    Metalica
    Chapter 59: Alternative
    Processes
    Chapter 60:
    MonoLog
    Image Processing
    Wet Processing
    Chapter 61: Parnham
    Doorway
    Processing
    Chapter 62: Large-Format
    Nudes
    Chapter 63: Rape
    Field
    Chapter 64: St. Mary’s of
    Buttsbury
    Chapter 65:
    Stonehenge
    Film Exposure and Development
    Printing Challenge
    Putting It All Together
    Chapter 66: Summer
    Storm
    Chapter 67: Toothpaste
    Factory
    Part 3: Odds and
    Ends
    Equipment and Facilities
    Chapter 68: Image-Taking
    Equipment
    Cameras and Film Formats
    Lenses, Shutters and Apertures
    Lightmeters
    Tripods, Heads and Plates
    Flash Units May Harm Your Camera
    Quality, Accuracy and Resolution
    Chapter 69: Darkroom
    Design
    The Room
    Light Proofing
    Walls
    Ventilation
    Heating and Air-Conditioning
    Safelights
    White Lights
    Dry Side and Storage
    Wet Side and Plumbing
    Cleanliness
    Darkroom Safety
    Chapter 70: How Safe Is Your
    Safelight?
    Paper Characteristics
    Image Exposure
    A Precise Test
    Test Evaluation
    The Coin Test
    Chapter 71: Enlarger Light
    Sources
    Density Measurements
    Callier Effect
    Condenser versus Diffusion Enlarger
    Tools, Tips and Tricks
    Chapter 72: Sharpness in the
    Darkroom
    Enlarger Stability
    Film Flatness
    Enlarger Alignment
    Enlarging Lens
    Accurate Focusing
    Depth of Field and Focus
    Exposure Height and Exposure Correction
    A Sharper Image
    Chapter 73: Other Darkroom
    Equipment
    Film and Print Processing
    Darkroom Timers and Meters
    Negative Focus and Paper Support
    Other Printing Tools
    Chapter 74: Identification System for Film
    Holders
    The Binary System
    Cutting the Holders
    Chapter 75: How to Build and Use the Zone
    Ruler
    How to Make Your Own
    How to Use It
    Chapter 76: How to Build and Use a Zone
    Dial
    Reading the Lightmeter inZones
    The Standard Zone Dial
    Chapter 77: Make Your Own Shutter
    Tester
    Setup
    Chapter 78: Make Your Own Test Strip
    Printer
    Localized Test Strips
    Continuous Test Strips
    How to Make Your Own
    Chapter 79: Make Your Own Burning
    Card
    Silver Maple Leaf
    How It Works
    How to Make Your Own
    Chapter 80: Exposure, Development and Printing
    Records
    Exposure Records
    Development and Printing Records
    Image Numbering System
    Chapter 81: Making Prints from Paper
    Negatives
    Modern Materials and Equipment
    Exposing the Paper Negative
    Developing the Paper Negative
    Printing the Paper Negative
    Technical Background
    Appendix
    Technical Fundamentals
    Arithmetic and Geometric Sequences
    Lens Aperture, Shutter Speed and Film Sensitivity in
    Stops
    Logarithms
    Densities
    Make Your Own Transfer Function
    Tone Reproduction
    The Rendering Intent
    Creating the Transfer Function
    Photographic Chemistry
    Elements and Compounds
    Types of Compounds
    pH
    Chemistry and Photography
    Emulsion
    Developer
    Stop Bath
    Fixer
    Washing Aid
    Toner
    Basic Chemical Formulae
    Tables and Templates
    Glossary
    Bibliography
    General Photography
    Camera Techniques
    Art, Perception, Composition and Lighting
    Monochrome Photography
    Sensitometry and Zone System
    Photographic Optics, Chemistry and Processing
    General Printing
    Specialist Printing
    Digital and Hybrid Imaging
    Archival Processing
    Historic Papers
    Internet Newsgroups and Specialist Interest Sites
    Index