Beloved legend, archaeological riddle and educational staple: Homers epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques - exceptionally successful theatrical entertainments - continually mined the 'Iliad' and 'Odyssey' to lucrative comic effect. Burlesques combined song, dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats, epic adaptations overflow with satirical commentary on politics, cultural highlights and everyday current affairs. In uncovering Homer's irreverently playful afterlife, this selection showcases burlesques development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations, with contemporary illustrations, illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social, cultural and political history. Resources for further study are available online.
Author(s): Rachel Bryant Davies (ed.)
Series: Bloomsbury Studies in Classical Reception
Publisher: Bloomsbury Academic
Year: 2019
Language: English
Pages: 312
City: London
Online Materials
List of Illustrations
Acknowledgements
List of Abbreviations
1. Classical burlesque and Homeric epic
Victorian Homer
Homer burlesqued
Ancient and modern
Notes on editions, running commentary and textual annotations
2. Thomas Dibdin / Melodrama Mad!; or, the Siege of Troy (1819)
3. James Robinson Planché with Charles Dance / Telemachus; or, the Island of Calypso (1834)
4. Robert B. Brough / Iliad; or the Siege of Troy (1858)
5. Sir Francis Cowley Burnand / Ulysses; or the Ironclad Warrior and the Little Tug of War (1865)
6. List of epic burlesques
References
Index