Comparing the major Pacific Rim cities of Sydney, Hong Kong and Shanghai, this book examines world city branding. Whilst all three cities compete on the world's stage for events, tourists and investment, they are also at the centre of distinct film traditions and their identities are thus strongly connected with a cinematic impression. Using an interdisciplinary approach, this book not only analyses the city branding of these cities from the more widely researched perspectives of tourism, marketing and regional development, but also brings in cultural studies and psychology approaches which offer fresh and useful insights to place branding and marketing in general. The authors compare and contrast qualitative and quantitative original data as well as critically analysing current texts and debates on city branding. In conclusion, they argue that city branding should contribute not only to regional development and identity, but also to sustainable economic well-being and public happiness, highlighting qualities such as a location's natural and artifical features, history and future, uniqueness and universality, culture and people, sensory qualities and sustainable reputation.
Author(s): Stephanie Hemelryk Donald and John G. Gammack
Year: 2007
Language: English
Pages: 234
Contents......Page 6
List of Figures and Plates......Page 8
Acknowledgements......Page 10
Introduction: An Argument for the Cinematic City......Page 12
1 A Discussion of Method......Page 36
2 Branding the City......Page 56
3 Structures of Attention and the ‘City of Life’ (Hong Kong)......Page 74
4 Flatlands Revisited......Page 98
5 Chromatic Contours......Page 126
6 Shanghai: World City?......Page 152
7 The Future of City Branding......Page 178
References......Page 190
Filmography......Page 218
C......Page 220
E......Page 221
H......Page 222
L......Page 223
O......Page 224
S......Page 225
W......Page 226
Z......Page 227
Plate Section......Page 228