This book seeks to unfold the complexity within the works of Dambudzo Marechera and presents scholars and readers with a way of reading his works in light of utopian thinking. Writing during a traumatic transitional period in Zimbabwe’s history, Marechera witnessed the upheavals caused by different parties battling for power in the nation. Aware of the fact that all institutionalized narratives – whether they originated from the colonial governance of the UK, Ian Smith’s white minority regime, or Zimbabwe’s revolutionary parties – appeal to visions of a utopian society but reveal themselves to be fiction, Marechera imagined a unique utopia. For Marechera, utopia is not a static entity but a moment of perpetual change. He rethinks utopia by phrasing it as an ongoing event that ceaselessly contests institutionalized narratives of the postcolonial self and its relationship to society. Marechera writes towards a vision of an alternative future for the country. Yet, it is a vision that does not constitute a fully rounded sense of utopia. Being cautious about the world and the operation of power upon the people, rather than imposing his own utopian ideals, Marechera chooses instead to destabilize the narrative constitution of the self in relation to society in order to turn towards a truly radical utopian thinking that empowers the individual.
Author(s): Shun Man Emily Chow-Quesada
Series: Literary Criticism and Cultural Theory
Publisher: Routledge
Year: 2022
Language: English
Pages: 222
City: New York
Cover
Endorsements
Half Title
Series Page
Title Page
Copyright Page
Dedication
Table of Contents
Acknowledgements
Introduction
Dambudzo Marechera and Rhodesia/Zimbabwe
Literature Review
A Brief Overview of Utopia
Marechera and Utopia
Outline of the Chapters
1. Marechera, Heimat and the Utopian Function of Literature
Literature and Utopian Thinking
The Role of the Writer
Marechera’s “Heimat
2. The Utopia of an Outsider
The Escape Mentality
The “Outsider” and the “Nowhere”
Ambiguity and Openness
3. Violence and Power
Power in Violence
Women in Violence
Violence and Aporia
4. Narratives of Identities
Racial Identity
Ethnic Identity
National Identity
A Being of Rootlessness
5. The (Un)Real
Orientating Reality
Melting the “Columns” of Society
Embracing the “(Un)real”
6. The Writer and the Community
The Individual versus the Collective
A Constellation of Individuals
Responsibility and Emancipation
Conclusion: Marechera – the “Dissident”
Index