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The Work Of Authorship

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Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities-including literary studies, aesthetics, film studies, and the philosophy of art-have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital.

Author(s): Mireille van Eechoud
Edition: 1
Publisher: Amsterdam University Press
Year: 2014

Language: English
Pages: 278
Tags: Copyright, Authorship, Social Science: General, Law: Administrative Law & Regulatory Practice, Laws Of Specific Jurisdictions, Authorship, Copyright, Electronic Books

Cover
Contents
Voices near and far
Introduction
Mireille van Eechoud
Creative work and communicative norms
Perspectives from legal philosophy
Laura Biron
Romantic authorship in copyright law and the uses of aesthetics
Erlend Lavik
Creativity, autonomy and personal touch
A critical appraisal of the CJEU’s originality test for copyright
Stef van Gompel
Adapting the work
Mireille van Eechoud
Reassessing the challenge of the digital
An empirical perspective on authorship and copyright
Elena Cooper
Creativity and the sense of collective ownership in theatre and popular music
Jostein Gripsrud
Discontinuities between legal conceptions of authorship and social practices
What, if anything, is to be done?
Lionel Bently and Laura Biron
About the authors