Silius Italicus’ Punica, the longest surviving epic in Latin literature, has seen a resurgence of interest among scholars in recent years. A celebration of Rome's triumph over Hannibal and Carthage during the second Punic war, Silius’ poem presents a plethora of familiar names to its readers: Fabius Maximus, Claudius Marcellus, Scipio Africanus and, of course, Rome's ‘ultimate enemy’ – Hannibal. Where most recent scholarship on the Punicahas focused its attention on the problematic portrayal of Scipio Africanus as a hero for Rome, this book shifts the focus to Carthage and offers a new reading of Hannibal's place inSilius’ epic, and in Rome's literary culture at large. Celebrated and demonised in equal measure, Hannibal became something of an anti-hero for Rome; a man who acquired mythic status, and was condemned by Rome's authors for his supposed greed and cruelty, yet admired for his military acumen. For the first time this book provides a comprehensive overview of this multi-faceted Hannibal as he appears in the Punica and suggests that Silius’ portrayal of him can be read as the culmination to Rome's centuries-long engagement with the Carthaginian in its literature. The works of Polybius, Livy, Virgil, and the post Virgilianepicists all have a bit-part in this book, which aims to show that SiliusItalicus’ Punicais as much an example of how Rome remembered its past, as it is a text striving to join Rome's epic canon.
Author(s): Stocks, Claire
Publisher: Liverpool University Press
Year: 2014
Language: English
Pages: 276
City: Liverpool
Tags: Silio Italico, Tiberio Cazio Asconio, -- ca 25-101 -- Punica
Introduction: The Roman Hannibal1. The Roman Hannibal Defined2. Before Silius: The Creation of the Roman Hannibal3. Silius' Influences4. Epic Models5. Silius' Roman Hannibal6. Out of the Darkness and into the Light7. Hannibal's `Decline' after Cannae
Separating Man from Myth8. Imitators and Innovators9. Band-of-Brothers10. The `Lightning Bolts' (fulmina) of War11. The Man and his Myth
The Self-defined Roman HannibalConclusion: The Crossing of the Worlds: The Move from Internal to External NarrativeBibliographyIndex