This is the first of a series of volumes in which the famous French anthropologist attempts to reduce some of the basic myths of the South American Indians to a comprehensible psychological pattern.
The primitive mind reacted to the mystery of the world by inventing myths of origin to explain, for instance, how man discovered fire and first used it for cooking, how the edible and inedible animals came into being, how the stars came to be placed as they are in the sky, how the celestial and terrestrial realms or the human and animal kingdoms are interconnected, and so on. It is Levi-Strauss's contention that there is no fundamental break between the primitive mind and the more highly evolved and that the primitive tale-tellers, in establishing their
patterns of explanation, which vary considerably from tribe to tribe, were following an implicit logic that we can understand once we grasp the terms according to which it operates.
To support this argument, Levi-Strauss undertakes the analysis of some 200 myths and shows their basic structures and interrelations. His study is technical, but at the same time the author is addressing the general public. He is, furthermore, writing as a philosopher as well as an anthropologist. He makes frequent cross-references to European customs, and he sets the study of mythology in a general cultural context by linking it up with music and painting.
This is one of the most original and stimulating books to appear for some time, and it displays in a particularly impressive manner that ability to move from minute inspection of detail to bold general speculation for which French thinkers are renowned.
Author(s): Claude Lévi-Strauss
Series: Introduction to a Science of Mythology (1)
Edition: 1969
Publisher: Harper and Row
Year: 1969
Language: English
Pages: 422
Illustrations xi
Table of Symbols xiii
Overture i
PART ONE: Theme and Variations
1. Bororo Song 35
a. The Bird-Nester's Aria 35
b. Recitative 37
c. First Variation 48
d. Interlude in a Discrete Mode 50
e. Continuation of the First Variation 55
f. Second Variation 59
g. Coda 63
2. Ge Variations 66
a. First Variation 66
b. Second Variation 67
c. Third Variation 68
d. Fourth Variation 7i
e. Fifth Variation 71
f. Sixth Variation 72
g. Recitative 73
PART TWO
1. The "Good Manners" Sonata 81
a. The Profession of Indifference 81
b. Caititu Rondo 83
c. Childish Civility 108
d. Suppressed Laughter 120
2. A Short Symphony 134
a. First Movement: Ge 134
b. Second Movement: Bororo 136
c. Third Movement: Tupi 139
PART THREE
1. Fugue of the Five Senses 147
2. The Oppossum's Cantata 164
a. The Opossum's Solo 164
b. Rondo 170
c. Second Solo 183
d. Concluding Aria: Fire and Water 188
PART FOUR: Well-Tempered Astronomy
1. Three-Part Inventions 199
2. Double Inverted Canon 216
3. Toccata and Fugue 240
a. The Pleiades 240
b. The Rainbow 246
4. Chromatic Piece 256
PART FIVE: Rustic Symphony in Three Movements
1. Divertissement on a Folk Theme 285
2. Bird Chorus 300
3. The Wedding 319
Bestiary 345
Bibliography 361
Index of Myths 371
a. By Number Order and Subject 371
b. By Tribe 376
General Index 378