The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers

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This no-nonsense reference helps independent filmmakers recognize and solve the critical legal issues they might face throughout the course of making a film.



Author Thomas A. Crowell, TV producer turned entertainment lawyer, will help you to understand and negotiate crucial production contracts, handle actors and their agents, and navigate the perils of copyright infringement and other lawsuits. Updated throughout to address important changes to the law, and incorporating discussion of online distribution, crowd funding, social media marketing, and international productions, this expanded third edition will provide you with the skills to:





    • Protect the copyright to your work.




      • Finance your film and watch out for common financing traps.



      • Understand how tax credits and other incentives are used in film financing.



      • Work with other screenwriters, and protect your script ideas.



      • Adapt a book or comic into a screenplay.



      • Know how to spot the difference between copyright infringement and fair use.



      • Hire crew members, actors, and post-production staff.



      • Draft a production services agreement or a license to use someone else’s work.



      • License music for soundtracks.



      • Negotiate a distribution agreement or understand how to distribute your film alone.



      • Learn how to best position your film for Netflix.



      • Make money from YouTube.



      And much more!


      Written for accessibility and ease of reference, this book is a vital resource for any student or independent filmmaker wanting their films to be successful and free of legal disasters.

      Author(s): Thomas A. Crowell, Esq.
      Edition: 3
      Publisher: Routledge
      Year: 2022

      Language: English
      Pages: 530

      Cover
      Half Title
      Title
      Copyright
      Dedication
      Table of Contents
      Acknowledgments
      About the Author: Thomas A. Crowell, Esq
      PART 1 INTRODUCTION
      PART 2. LEGAL BUILDING BLOCKS:
      CONTRACT AND INTELLECTUAL PROPERTY
      1 COPYRIGHT AND INTELLECTUAL PROPERTY
      2 THE CONTRACT ENGINE
      PART 3. THE PRODUCTION COMPANY AND FINANCING YOUR MOVIE
      3 SETTING UP THE PRODUCTION COMPANY
      4 YOUR PROFESSIONAL TEAM
      5 FINANCING YOUR MOVIE
      6 FILM TAX CREDITS AND OTHER PRODUCTION
      INCENTIVES
      PART 4. DEVELOPMENT: CREATING, ACQUIRING, AND MANAGING THE FILM PROPERTY
      7 IDEA RIGHTS: PROTECTING YOUR PITCHES AND AVOIDING IDEA “THEFT
      8 CREATING A SCREENPLAY
      9 ACQUIRING SCREENPLAY RIGHTS
      10 CHAIN OF TITLE: CREATING LINKS OF OWNERSHIP
      PART 5. PRE-PRODUCTION
      11 PRODUCTION SERVICES AND CO-PRODUCTIONS
      12 PRODUCT PLACEMENT AND SPONSORSHIP
      13 HIRING CAST AND CREW
      14 ABOVE THE LINE: PRODUCERS AND DIRECTORS
      15 BELOW THE LINE: CREW SERVICES AGREEMENTS
      16 PERFORMERS
      PART 6. PRODUCTION
      17 EXTRAS AND DEPICTION RELEASES
      18 LOCATIONS
      19 ON-SET IP INFRINGEMENT
      PART 7. POST-PRODUCTION
      20 POST-PRODUCTION STAFF
      21 MUSIC
      22 FILM CLIPS AND STOCK FOOTAGE
      23 CREDITS AND COPYRIGHT NOTICE
      PART 8. DISTRIBUTION
      24 PREPARING FOR DISTRIBUTION
      25 THEATRICAL DISTRIBUTION
      26 PUTTING YOUR FILM ONLINE
      PART 9. CONCLUSION
      Appendix A: A Filmmaker’s Guide to Intellectual Property Law
      Appendix B: The Clause Companion
      Bibliography and Resources
      Index