The Novel Stage: Narrative Form from the Restoration to Jane Austen

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Marcie Frank's study traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel, offering a dramatic new approach to the history of the English novel that examines how the collaboration of genres contributed to the novel's narrative form and to the modern organization of literature. Drawing on media theory and focusing on the less-examined narrative contributions of such authors as Aphra Behn, Frances Burney, and Elizabeth Inchbald, alongside those of Samuel Richardson, Henry Fielding, and Jane Austen, The Novel Story tells the story of the novel as it was shaped by the stage.

Author(s): Marcie Frank
Series: (Transits: Literature, Thought & Culture 1650-1850)
Edition: 1
Publisher: Bucknell University Press
Year: 2019

Language: English
Pages: 230

Cover
Series Page
Title Page
Copyright
Dedication
Contents
Introduction
1. Genre, Media, and the Theory of the Novel
2. The Reform of the Rake from Rochester to Inchbald
3. Performing Reading in Richardson and Fielding
4. The Promise of Embarrassment: Frances Burney’s Theater of Shame
5. Melodrama in Inchbald and Austen
Coda: The Melodramatic Address
Acknowledgments
Notes
Bibliography
Index
About the Author