The Edinburgh Companion to Scottish Drama

Cover
Copyright
Contents
Series Editors’ Preface
INTRODUCTION A Lively Tradition and Creative Amnesia
CHAPTER ONE Scottish Drama until 1650
CHAPTER TWO Public and Private Performance: 1650–1800
CHAPTER THREE Folk Drama in Gaelic Scotland
CHAPTER FOUR The National Drama and the Nineteenth Century
CHAPTER FIVE Twentieth-Century Popular Theatre
CHAPTER SIX Drama, Language and Late Twentieth-Century Literary Revival
CHAPTER SEVEN History in Contemporary Scottish Theatre
CHAPTER EIGHT Translated Drama in Scotland
CHAPTER NINE J. M. Barrie
CHAPTER TEN The Mid-Century Dramatists
CHAPTER ELEVEN James Bridie
CHAPTER TWELVE Poets in the Theatre: Ure, Kay, Conn, Morgan
CHAPTER THIRTEEN Women Playwrights from the 1970sand 1980s
CHAPTER FOURTEEN The Traverse, 1985–97: Arnott, Clifford, Hannan, Harrower, Greig and Greenhorn
CHAPTER FIFTEEN Liz Lochhead
CHAPTER SIXTEEN Post-Devolutionary Drama
CHAPTER SEVENTEEN The Experience and Contexts of Drama in Scotland
Endnotes
Further Reading
Notes on Contributors
Index