Crumbled shells of mosques in Iraq, the bombing of British cathedrals in World War II, the fall of the World Trade Center towers on September 11: when architectural totems such as these are destroyed by conflicts and the ravages of war, more than mere buildings are at stake. The Destruction of Memory reveals the extent to which a nation weds itself to its landscape; Robert Bevan argues that such destruction not only shatters a nation’s culture and morale but is also a deliberate act of eradicating a culture’s memory and, ultimately, its existence. Bevan combs through world history to highlight a range of wars and conflicts in which the destruction of architecture was pivotal. From Cortez’s razing of Aztec cities to the carpet bombings of Dresden and Tokyo in World War II to the war in the former Yugoslavia, The Destruction of Memory exposes the cultural war that rages behind architectural annihilation, revealing that in this subliminal assault lies the complex aim of exterminating a people. He provocatively argues for “the fatally intertwined experience of genocide and cultural genocide,” ultimately proposing the elevation of cultural genocide to a crime punishable by international law. In an age in which Frank Gehry, I. M. Pei, and Frank Lloyd Wright are revered and yet museums and temples of priceless value are destroyed in wars around the world, Bevan challenges the notion of “collateral damage,” arguing that it is in fact a deliberate act of war. (20051211)
Author(s): Robert Bevan
Year: 2006
Language: English
Pages: 240
Imprint......Page 6
Contents......Page 7
1 Introduction: The Enemies of Architecture and Memory......Page 9
2 Cultural Cleansing: Who Remembers the Armenians?......Page 27
3 Terror: Morale, Messages and Propaganda......Page 63
4 Conquest and Revolution......Page 96
5 Fences and Neighbours: The Destructive Consequences of Partition......Page 134
6 Remember and Warn I: Rebuilding and Commemoration......Page 177
7 Remember and Warn II: Protection and Prosecution......Page 204
References......Page 215
Acknowledgements......Page 232
Photographic Acknowledgements......Page 233
Index......Page 234