The Dead C’s Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised best, turning rock music on its head with a free-form style of blaring, loosely organised sound. Leading a second wave of music from Dunedin, New Zealand, The Dead C were an assault against the kind of jangly pop that had made the Dunedin Sound famous during the 1980s. This book uses The Dead C and in particular their album Clyma est mort (1993) to offer insights into the way the best of rock music plays vertigo with our senses, illustrating a sonic picture of freedom and energy. It places the album into the history of independent music in New Zealand, and into an international context of independent labels posting, faxing and phoning each other.
Author(s): Darren Jorgensen
Series: 33 1/3 Oceania
Publisher: Bloomsbury Academic
Year: 2023
Language: English
Pages: 144
City: Sydney
Cover
Halftitle page
33 1/3 Global
Title page
Copyright page
Contents
Acknowledgements
1 An American Visits New Zealand Only to Find that Nobody Wants to Play
2 You Wouldn’t Play Like that if You Didn’t Know What You Were Doing
3 In Which the Band Find Themselves in Front of the Whole Country
4 An Englishman Does Not Share the Droll Humour of the Local People
5 The Natural Born Gifts of the Drummer
6 On the Poetics o fthe Bible, and the Day Jobs of the Artists
7 Looking the Horse in the Mouth
8 In Which a Correspondence is Established, and an Exchange of Like Views
9 The Port Chalmers Sound
10 The Cells of the Body Return to Their Unliving State
Notes
References
Index
