Originally published in 1949, Gilbert Highet's seminal "The Classical Tradition" is a herculean feat of comparative literature and a landmark publication in the history of classical reception. As Highet states in the opening lines of his Preface, this book outlines "the chief ways in which Greek and Latin influence has moulded the literatures of western Europe and America". With that simple statement, Highet takes his reader on a sweeping exploration of the history of western literature. To summarize what he covers is a near-impossible task. Discussions of Ovid and French literature of the Middle Ages and Chaucer's engagement with Virgil and Cicero lead, swiftly, into arguments of Christian versus "pagan" works in the Renaissance, Baroque imitations of Seneca, and the (re)birth of satire. Building momentum through Byron, Tennyson, and the rise of "art of art's sake", Highet, at last, arrives at his conclusion: the birth and establishment of modernism. Though his humanist style may appear out-of-date in today's postmodernist world, there is a value to ensuring this influential work reaches a new generation, and Highet's light touch and persuasive, engaging voice guarantee the book's usefulness for a contemporary audience. Indeed, the book is free of the jargon-filled style of literary criticism that plagues much of current scholarship.
Author(s): Gilbert Highet
Publisher: Oxford University Press
Year: 1985
Language: English
Pages: 800
Foreword
Preface
Abbreviations
Chapter 1: Introduction
Chapter 2: The Dark Ages: English Literature
Chapter 3: The Middle Ages: French Literature
Chapter 4: Dante and Pagan Antiquity
Chapter 5: Towards the Renaissance: Petrarch, Boccaccio, Chaucer
Chapter 6: The Renaissance: Translation
Chapter 7: The Renaissance: Drama
Chapter 8: The Renaissance: Epic
Chapter 9: The Renaissance: Pastoral and Romance
Chapter 10: Rabelais and Montaigne
Chapter 11: Shakespeare
Chapter 12: The Renaissance and Afterwards: Lyric Poetry
Chapter 13: Transition
Chapter 14: The Battle of the Books
Chapter 15: A Note on Baroque
Chapter 16: Baroque Tragedy
Chapter 17: Satire
Chapter 18: Baroque Prose
Chapter 19: The Time of Revolution
Chapter 20: Parnassus and Antichrist
Chapter 21: A Century of Scholarship
Chapter 22: The Symbolist Poets and James Joyce
Chapter 23: The Reinterpretation of the Myths
Chapter 24: Conclusion
Index