Stories, Meaning, and Experience: Narrativity and Enaction

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This book presents a complete reconsideration of the nature of narrative organization developed in the framework of a new and comprehensive approach to cognitive science: enaction. This new paradigm offers an understanding of human cognition based in the perception and sensory motor dynamics of an agent and a world. It argues that narrative is but one form of conceptual organization for human minds, the other being categorical organization. Complex literary narratives, as well as visual art, are instances in which both types of organization coexist, and in later chapters the model is elaborated in relation to some of those examples, specifically stories by Henry James and Gabriel García Márquez. The understanding of narrative offered by Popova thus cuts across many of the core issues in fields such as narratology, cognitive psychology, and traditional story grammars.

Author(s): Yanna B. Popova
Series: Routledge Studies in Rhetoric and Stylistics
Publisher: Routledge
Year: 2015

Language: English
Pages: x+200
Tags: Short Stories Genres Styles History Criticism Literature Fiction Linguistics Words Language Grammar Reference Test Preparation Rhetoric American Creative Writing Composition English Literary Theory World Humanities New Used Rental Textbooks Specialty Boutique

Introduction: Why We Have Stories

Part One
1 Perceptual Causality and Narrative Causality
2 Narrativity and Enaction: The Social Nature of Literary Narrative Understanding
3 Narrative and Metaphor: On Two Alternative Organizations of Human Experience

Part Two
4 Narrativity and Enaction in Chronicle of a Death Foretold by Gabriel García Márquez
5 Narrative and Allegory in Kazuo Ishiguro’s Never Let Me Go
6 Narrative and Metaphor in the Tales of Henry James
Afterword