Speculative Imperialisms: Monstrosity and Masquerade in Postracial Times explores the (settler) colonial ideologies underpinning the monstrous imaginings of contemporary popular culture in the Britain and the US. Through a close examination of District 9, Avatar, Doctor Who, Planet of the Apes, and steampunk culture, Susana Loza illuminates the durability of (settler) colonialism and how it operates through two linked yet distinct forms of racial mimicry: monsterization and minstrelsy. Speculative Imperialisms contemplates the fundamental, albeit changing, role that such racial simulations play in a putatively postracial and post-colonial era. It brings together the work on gender masquerade, racial minstrelsy, and postcolonial mimicry and puts it in dialogue with film, media, and cultural studies. This project draws upon the theoretical insights of Stuart Hall, Homi K. Bhabha, Edward Said, Philip Deloria, Michael Rogin, Eric Lott, Charles Mills, Falguni Sheth, Lorenzo Veracini, Adilifu Nama, Isiah Lavender III, Gwendolyn Foster, Marianna Torgovnick, Ann Laura Stoler, Anne McClintock, Eric Greene, Richard Dyer, and Ed Guerrero
Author(s): Susana Loza
Publisher: Lexington Books
Year: 2017
Language: English
Pages: 205
City: Lanham
Tags: speculative fiction, settler colonialism, popular culture, steampunk, Doctor Who, Planet of the Apes, Avatar, District 9
Contents......Page 8
Acknowledgments......Page 10
Introduction. Speculative Imperialisms: Monstrosity and Masquerade in Postracial Times......Page 12
Chapter One. Playing Alien in Postracial Times......Page 36
Chapter Two. Colonial Cosplay: Steampunk and the After-Life of Empire......Page 58
Chapter Three. Imperial Fictions, Postracial Fantasies: Doctor Who in the Age of Neoliberal Multiculturalism......Page 92
Chapter Four. Monkeys, Monsters, and Minstrels in Rise and Dawn of the Planet of The Apes......Page 120
Afterword. Trumpacolypse Now, Decolonized Tomorrows......Page 156
Bibliography......Page 164
Index......Page 194
About the Author......Page 204