This is a fascinating study of Beckett's legacy for contemporary writers, which is part of the growing interest in Beckett studies in the question of Beckett's reception and influence. Samuel Beckett is widely regarded as 'the last modernist', the writer in whose work the aesthetic principles which drove the modernist project dwindled and were finally exhausted. And yet despite this, it is striking that many of the most important contemporary writers, across the world, see their work as emerging from a Beckettian legacy.So whilst Beckett belongs, in one sense, to the end of the modernist period, in another sense he is the well spring from which the contemporary, in a wide array of guises, can be seen to emerge. Since Beckett looks at a number of writers, in different national and political contexts, tracing the way in which Beckett's writing inhabits the contemporary, while at the same time reading back through Beckett to the modernist and proto-modernist forms he inherited. In reading Beckett against the contemporary in this way, Peter Boxall offers both a compelling re-reading of Beckett, and a powerful new analysis of contemporary culture.
Author(s): Peter Boxall
Year: 2009
Language: English
Pages: 256
Contents......Page 8
Acknowledgements......Page 9
List of Abbreviations......Page 11
List of Illustrations......Page 13
Introduction: Since Beckett......Page 14
Part One: Back Roads: Beckett, Banville and Ireland......Page 32
1. Edgeworth, Bowen, Beckett, Banville: A Minor Tradition......Page 34
2. Spectrality and Eclipse: Beckett and Banville......Page 51
3. Unknown Unity: Ireland and Europe in Beckett and Banville......Page 66
Part Two: Tune Accordingly: Beckett, Bernhard and Sebald......Page 80
4. Faint Clarity: Tuning in Beckett......Page 82
5. All Balls: Quotation and Correction in Beckett and Bernhard......Page 99
6. A Quite Singular Clarity: Beckett, Bernhard, Sebald......Page 122
Part Three: How It Ought To Be: Beckett, Globalization and Utopia......Page 146
7. From Joyce to Beckett: From National to Global......Page 148
8. Knowledge Within Bounds: Beckett, Globalization and the Limits of Perception......Page 161
9. Slow Man, Dangling Man, Falling Man: Beckett in the Ruins of the Future......Page 179
Notes......Page 213
Bibliography......Page 230
B......Page 240
D......Page 242
I......Page 243
M......Page 244
S......Page 245
Z......Page 246