Amsterdam: Rodopi, 2014. — 318 p. — ISBN-10: 9042038802; ISBN-13: 978-9042038806.Collection of essays by different authors on three of Beckett's works. some essays in French.Revisiting Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable“Introduction: “No One Wanders Unpunished”: Revisiting Molloy, Malone Meurt / Malone Dies and L’Innommable / The Unnamable”, David Tucker
“The Obidil and the Man of Glass: Denarration, Genesis and Cognition in Beckett’s Molloy, Malone Dies and The Unnamable”, Dirk Van Hulle
“Trilogy on the Third Programme”, Matthew Feldman
“Trilogy and the Deaths of (Auto)Biographical Form”, Michael D’Arcy
“On Mediumship and Voices in the Trilogy”, Robert Kiely
“‘Grâce aux Excréments des Citoyens’: Beckett, Swift and the Coprophagic Economy of Ballyba”, Adam Winstanley
“‘I Can Make Nothing of It’: Beckett’s Collaboration with Merlin on the English Molloy”, Pim Verhulst and Wout Dillen
“Changed Modalities in Malone Dies: Putting Sapo in his Place”, John Pilling
“Beckett’s Inquests: Malone Dies and the Mysteries of the State”, Emilie Morin
“‘I, of Whom I Know Nothing’: Biblical Echoes in Samuel Beckett’s L’Innommable and The Unnamable”, Chris Ackerley
“Suffering Fiction in The Unnamable”, Paul Stewart
“Where Now? Beckett, Duthuit and The Unnamable”, David Addyman
“Gression, Regression, and Beyond: A Cognitive Reading of The Unnamable”, Marco Bernini
“‘So Little in Doubt?’: Revisiting The Unnamable”, Arthur Rose
“A Bibliography of Anglophone Critical Works on Molloy, Malone Dies and The Unnamable”, Iain Bailey
“Bibliographie des Textes en Français se Rapportant a la Première Trilogie de Samuel Beckett”, Sjef HouppermansFree Space“Mabou Mines’s Staging of Imagination Dead Imagine Revisited: Ruth Maleczech, Samuel Beckett, and Holographic Visualization”, Jessica Silsby Brater
“Play / Comédie, Come and Go / Va-et-Vient, Footfalls / Pas de Beckett ou le va-et-vient de la ponctuation entre deux Langues”, Karine Germoni
“Staying on the Surface: Figures of Repetition in Beckett’s Postwar Trilogy”, Damian Tarnopolsky
