Prisms, essays in cultural criticism and society, is the work of a critic and scholar who has had a marked influence on contemporary American and German thought. It displays the unusual combination of intellectual depth, scope, and philosophical rigor that Adorno was able to bring to his subjects, whether he was writing about astrology columns in Los Angeles newspapers, the special problems of German academics immigrating to the United States during the Nazi years, or Hegel's influence on Marx.
In these essays, Adorno explores a variety of topics, ranging from Aldous Huxley's Brave New World and Kafka's The Castle to Jazz, Bach, Schoenberg, Proust, Veblen's theory of conspicuous consumption, museums, Spengler, and more. His writing throughout is knowledgeable, witty, and at times archly opinionated, but revealing a sensitivity to the political, cultural, economic, and aesthetic connections that lie beneath the surfaces of everyday life.
Prisms is included in the series, Studies in Contemporary German Social Thought, edited by Thomas McCarthy. [From Amazon]
Author(s): Adorno, Theodor W.; (Trans. Samuel & Sherry Weber)
Series: Studies in Contemporary German Social Thought
Publisher: The MIT Press
Year: 1988
Language: English
Pages: 272
City: Cambridge, MA
Tags: Cultural Criticism
SERIES FOREWORD 5
FOREWORD by Theodor W. Adorno 7
INTRODUCTION Translating the Untranslatable by Samuel
M. Weber 9
Cultural Criticism and Society 17
The Sociology of Knowledge and Its Consciousness 35
Spengler after the Decline 51
Veblen’s Attack on Culture 73
Aldous Huxley and Utopia 95
Perennial Fashion—Jazz 119
Bach Defended against his Devotees 133
Arnold Schoenberg, 1874-1951 147
Valery Proust Museum 173
The George-Hofmannsthal Correspondence, 1891-1906 187
A Portrait of Walter Benjamin 227
Notes on Kafka 243