Post-Migratory Cultures in Postcolonial France offers a critical assessment of the ways in which French writers, filmmakers, musicians and other artists descended from immigrants from former colonial territories bring their specificity to bear on the bounds and applicability of French republicanism, "Frenchness" and national identity, and contemporary cultural production in France. In mobilizing a range of approaches and methodologies pertinent to their specialist fields of inquiry, contributors to this volume share in the common objective of elucidating the cultural productions of what we are calling post-migratory (second- and third-generation) postcolonial minorities.
The volume provides a lens through which to query the dimensions of postcoloniality and transnationalism in relation to post-migratory postcolonial minorities in France and identifies points of convergence and conversation among them in the range of their cultural production. The cultural practitioners considered query traditional French high culture and its pathways and institutions; some emerge as autodidacts, introducing new forms of authorship and activism; they inflect French cultural production with different 'accents', some experimental and even avant-garde in nature. As the volume contributors show, though post-migratory postcolonial minorities sometimes express dis-settlement, they also provide an incisive view of social identities in France today and their own compelling visions for the future.
Author(s): Kathryn Kleppinger; Laura Reeck
Series: Francophone Postcolonial Studies
Publisher: Liverpool University Press
Year: 2018
Language: English
Pages: 296
City: Liverpool
Cover
Contents
Illustrations
Acknowledgements
Introduction: The Post-Migratory Postcolonial
I. Generations and Designations
Difference-Conscious Critical Media Engagement and the Communitarian Question
Banlieue Writers: The Struggle for Literary Recognition through Collective Mobilization
Francophone and Post-Migratory Afropeans within and beyond France Today
II. Postmemory, or Telling the Past to the Present
Un cinéma sans image: Palimpsestic Memory and the Lost History of Cambodian Film
Vietnam by Removes: Storytelling and Postmemory in Minh Tran Huy
Moving Beyond the Legacies of Warin Second-Generation Harki Narratives
III. Urban Cultures/Identities
Redefining Frenchness through Urban Music and Literature: The Case of Rapper-Writers Abd al Malik and Disiz
‘Double discours’: Critiques of Racism and Islamophobia in French Rap
‘Beyond Ethnicity’ or a Return to Type? Bande de filles/Girlhood and the Politicsof Blackness in Contemporary French Cinema
IV. Imaginings in Visual Languages
Somebody or Anybody? Hip-Hop Choreography and the Cultural Economy
Mixed Couples in Contemporary French Cinema: Exploring New Representations of Diversity and Difference on the Big Screen
‘Nos ancêtres n’étaient pas tous des Gaulois’: Post-Migration and Bande Dessinée
Identity and ‘Difference’ in French Art:El Seed’s Calligraffiti from Street to Web
Afterword: A Long Road to Travel
About the Contributors
Index