Posing for Portrait Photography: A Head-to-Toe Guide

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В книге рассказывается о постановке поз для портретной фотографии, независимо, будь то женская, мужская или детская фотография. Главная задача фотографа передать настроение модели, при полной естественности поз. Книга несомненно будет полезна, как фотографам, так и моделям. Description Photographers learn how to gauge the needs of their clients before placing them into a stale, preconceived “women’s,” “men’s,” or “children’s” pose that hardly fits the client’s personality or preferences. Provided with a two-pronged approach to fail-safe posing, photographers learn first to determine what the mood of the portrait should be and how to use an appropriate posing genre—traditional, casual, glamour, or journalistic. Photographers are then shown how that genre can be used as a basis to produce a pose that best suits the client, allowing them to create dynamic yet natural-looking pose that the subject—and the intended recipient—will love.

Author(s): Jeff Smith
Year: 2004

Language: English
Pages: 128
Tags: Библиотека;Досуг;Фотография;Жанры фотосъемки;Портрет;

Copyright
......Page 2
Table of Contents
......Page 3
Obstacles to Salable Posing......Page 6
The Client Knows Best......Page 10
Learning Posing......Page 11
Update Your Pose Book......Page 12
About This Book......Page 13
1. SIX THINGS YOU SHOULD NEVER DO......Page 15
Number One: The Angle of the Face......Page 16
Number Two: The Shoulders, Waist, and Hips......Page 17
Number Four: Lower the Chin, Lose the Catchlights......Page 18
Number Five: The Spine and Shoulders......Page 19
Number Six: Your Expression......Page 20
An Additional Factor: The Tilt of the Head......Page 22
Traditional Posing......Page 24
Casual Posing......Page 25
Glamorous Posing......Page 27
Settings, Clothing, and Posing......Page 29
Settings......Page 30
Taking Your Cue from Clothing......Page 33
Capturing the “Real” Person......Page 34
Light from Below......Page 35
Hardness or Softness of the Source......Page 36
Catchlights......Page 38
Position of the Eyes......Page 41
Eye Contact......Page 43
The Traditional Rules......Page 46
Hair......Page 47
Guys......Page 48
The Neck......Page 49
4. POSING THE SHOULDERS, ARMS, AND HANDS......Page 51
Triangular Composition......Page 52
The Shoulders......Page 56
Don’t Rely on Digital Fixes......Page 57
Explaining Problems with Tact......Page 59
Posing the Arms......Page 60
Observe the Details......Page 61
Bend Every Joint?......Page 63
Give Them Something to Hold......Page 64
Before Moving On to the Full-Length Poses......Page 65
Enhance or Conceal?......Page 68
Lighting and Posing......Page 70
Seated Subjects......Page 71
Technical Skills vs. People Skills......Page 72
Interpreting Emotions......Page 74
Lasting Value......Page 76
Avoiding Full-Length Poses......Page 78
Standing Poses......Page 79
Seated Poses......Page 80
In the Studio......Page 82
Outdoors......Page 83
Groups......Page 84
Purpose of the Portrait......Page 85
Unusual Poses......Page 87
Our Changing Bodies......Page 88
Feet......Page 89
Minimizing the Apparent Size......Page 90
Shoe Selection......Page 91
Muscle Tone......Page 94
Color and Nylons......Page 95
Leg Length......Page 96
Posing Techniques......Page 97
The “Deadly Sins” of Leg Posing......Page 99
Analyze the Lines......Page 101
Take Control......Page 103
Proximity and Composition......Page 109
Head Placement......Page 110
Your Best Work for Every Client......Page 111
Practicing with Variations......Page 114
Keep Poses in Your Mind......Page 119
Helping Your Client Relax......Page 120
IN CLOSING......Page 121
ABOUT THE AUTHOR......Page 122
INDEX......Page 123
Other Books from Amherst Media
......Page 125