Photographic Possibilities: The Expressive Use of Ideas, Materials and Processes

Although this is a vast improvement over the first edition, I still have reservations about the book. The essays are a bit oversimplified (Such as "Why we take pictures"), which don't seem to understand that the readers of a book about alternative processes are looking a bit deeper into the subject of photography. Artists such as Robert Parkeharrison and Mike and Doug Starn are mentioned, but I would like to know more about their processes and more importantly, why they believe these techniques are the best medium for their images. The technical information is well-presented, but there is one glaring omission that I believe is the book's main flaw: lack of color. A comprehensive chapter on toners leaves one frustrated as to what all these formulas look like when applied to a print. There are eight pages of full-color plates, but they mostly illustrate different artist's work, and not the processes that are described.