While narrative fracturing, multiplicity, and experimentalism are commonly associated with modernist and postmodern texts, they have largely been understudied in Victorian literature. Narrative Bonds: Multiple Narrators in the Victorian Novel focuses on the centrality of these elements and address the proliferation of multiple narrators in Victorian novels. In Narrative Bonds, Alexandra Valint explores the ways in which the Victorian multi-narrator form moves toward the unity of vision across characters and provides inclusivity in an era of expanding democratic rights and a growing middle class. Integrating narrative theory, gothic theory, and disability studies with analyses of works by Charles Dickens, Robert Louis Stevenson, Wilkie Collins, Emily Brontë, and Bram Stoker, this comprehensive and illuminating study illustrates the significance and impact of the multi-narrator structure in Victorian novels.
Author(s): Alexandra Valint
Series: (Theory Interpretation Narrativ)
Publisher: The Ohio State University Press
Year: 2021
Language: English
Pages: 220
Tags: Literary Criticism, Literary Theory, Victorian Literature, Narrative Theory
Half Title
Series Title Page
Title Page
Copyright Page
Contents
Acknowledgments
INTRODUCTION Unity and Reliability in the Victorian Multinarrator Novel
CHAPTER 1 Epistles to Narratives to Monologues
CHAPTER 2 Depth and Surface: Back-and-Forth Narration and Embodiment in Bleak House
CHAPTER 3 The Quick Switch: The Child’s Resistance to Adulthood in Treasure Island
CHAPTER 4 Disability Aesthetics and Multinarration in Wilkie Collins’s The Woman in White, The Moonstone, and The Legacy of Cain
CHAPTER 5 The Permeable Frame: Gothic Collaboration in Wuthering Heights
EPILOGUE Returning and Nonreturning Multinarration in Dracula and The Beetle
Works Cited
Index
Series Page