Jaap (or Jakob) Kunst (12 August 1891 in Groningen – 7 December 1960 in Amsterdam) was a Dutch ethnomusicologist, particularly associated with the study of gamelan music of Indonesia. He is known for coining the word "ethno-musicology" (which later became ethnomusicology) as a more accurate alternative to the then-preferred term, "comparative musicology".
Kunst was the only child of two musicians, and began to study the violin at only 18 months old. Drawn toward the study of Dutch folk songs, he continued to play violin throughout his life. He earned a degree in law from the University of Groningen in 1917, and pursued a career in banking and law for the next two years. While touring with a string trio the Dutch East Indies, he decided to remain on Java, and found a government post in Bandung. Meanwhile, he became interested in the Indonesian music, especially that of Java.
He began an archive of musical instruments, field recordings, books, and photographs for the Batavia Museum (Batavia, Dutch East Indies is the colonial name of Jakarta). In 1936 he returned to the Netherlands, and in that same year became the curator of the Royal Tropical Institute in Amsterdam, which developed into one of the most important institutes of its kind in Europe. Later, he gave lectures on Indonesian music at the University of Amsterdam in 1953 and became a member of the faculty there in 1958. In 1956, Kunst released a bestselling album of folksongs, on Folkways Records, entitled Living Folksongs and Dance-Tunes from the Netherlands.
Author(s): Jaap Kunst
Series: Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde
Edition: 1
Publisher: Springer Netherlands
Year: 1967
Language: English
Pages: 203
MUSIC IN NEW GUINEA
PLATE I
TABLE OF CONTENTS
FOREWORD
I. A STUDY ON PAPUAN MUSIC
1. Introduction
2. The Music of the Kauwerawèt
A. Vocal Music
B. Flute Music
3. The Tribes of the Nassau Mts. (Central Range)
PLATE II
Songs (Tables I-III)
List of Musical Instruments and Guide to the Map
Description of Line Drawings
Line Drawings (figs. 1-62)
Bibliography (and list of abbreviations)
II. SONGS OF NEW GUINEA
III. THE NATIVE MUSIC OF WESTERN NEW GUINEA
1. History of Musicological Research
2. The Central Range
3. The South-West Coast
4. The Western Part of the Vogelkop
5. Waigéo
6. Musical Instruments of the North- and West Coasts
7. The South Coast
A. Melody
B. The Musical Instruments of the South Coast
ADDITIONAL REFERENCES
Illustrations 1-33
Map showing the distribution of musical instruments in New Guinea, the adjacent islands, the Bismarck Archipelago and Bougainville Island