This book identifies water as the key element of Virginia Woolf’s modernist poetics. The various forms, movements, and properties of water inspired Woolf’s writing of reality, time, and bodies and offered her an apt medium to reflect on the possibilities as well as on the exhaustion of her art. As a deeply intertextual writer, Woolf recognised how profoundly water has shaped human imagination and the landscape of the literary past. In line with recent ecocritical and ecofeminist assessments of her works, this book also shows Woolf’s attraction to water as part of an indifferent nature that exists prior to and beyond the symbolic. Through close analyses that span the whole of Woolf’s oeuvre, and that centre on the metaphorical and the material voices of water in her works, Modernist Waterscapes offers a fresh perspective on a writing that is as versatile as the element from which it draws. The monograph addresses postgraduate students and scholars working in modernist studies and Woolf studies in particular.
Author(s): Marlene Dirschauer
Series: Geocriticism and Spatial Literary Studies
Publisher: Palgrave Macmillan
Year: 2023
Language: English
Pages: 230
City: Cham
Series Editor’s Preface
Acknowledgements
Contents
Abbreviations
Chapter 1: Introduction: Virginia Woolf’s Modernist Waterscapes
1.1 Modernism and Water: ‘Blueing’ Virginia Woolf
1.2 The Materiality of Metaphor
1.3 Mapping Modernist Waterscapes
References
Chapter 2: Aqueous Affinities: Woolf, Bachelard and the English Romantic Poets
2.1 Bachelard’s Water and Dreams and Woolf’s Poetics of Water
2.2 Woolf’s Waterscapes: ‘More Congenial to Me Than Any Human Being’
2.3 ‘And Myself So Eliminated of Human Features’: Water and the Appeal of the Impersonal
2.4 From the ‘Incessant Shower’ to the ‘Bottom of the Sea’: Woolf’s Dialectics of Surface and Depth
2.5 Writing in Water: Woolf, Keats and the Possibilities of Ambiguity
References
Chapter 3: ‘How It Floats Me Afresh’: Water in Woolf’s Early Experimental Fiction
3.1 ‘And We, Submerged, Widen Our Eyes Again’: Exploring New Territories in the Early Stories
3.2 The Blue Air-Ball Beneath the Fountain: Elusive (Subject) Matter in Jacob’s Room
References
Chapter 4: The Fluid Texture of Time: To the Lighthouse, Mrs. Dalloway, Orlando, The Waves
4.1 The Rhythm Between Depth and Surface: Competing Temporalities in Mrs. Dalloway
4.2 ‘In the Face of the Flowing’: Movement and Ecstasis in To the Lighthouse
4.3 The Aggregate States of Time: (Re)Writing Literary History in Orlando
4.4 ‘And Time Lets Fall Its Drop’: Saturating the Moment in The Waves
References
Chapter 5: ‘The Obscure Body of the Sea’: Female Bodies, Water and Artistic Creation from The Voyage Out to The Waves
5.1 The Voyage Out: The Young Woman and the Sea
5.2 ‘To Move and Float and Sink’: Artistic Immersion in To the Lighthouse
5.3 Attached to the Sea: Fluid Bodies in The Waves
References
Chapter 6: ‘Floating Down a River into Silence’: Water in Woolf’s Later Works
6.1 ‘And Then We Sank into Silences’: The Metapoetics of The Waves
6.2 The Silence of the Fish: Opaque Water and the Constraints of Language in Between the Acts
6.3 ‘The Watering Place’: The Deterioration of Words into Wastewater
References
Chapter 7: Conclusion
References
Index
