This collection of essays, drawn from scholarship over the last forty years, explores the drama of four of the most influential proponents of modernism in European Drama: Ibsen, Strindberg, Pirandello, and Beckett. Although there are other dramatists who also contributed to Modernism, these four illustrate widely different and contrasting aspects to the movement. Since discussions of Modernism are generally restricted to poetry, novels, or the fine arts (painting, sculpture), examining theatre from this perspective covers new ground. The choice of these four dramatists as the subjects of the volume reflects the large percentage of essays dealing with their work published by Modern Drama, the leading scholarly journal in the field, which in turn is a measure of the centrality of these particular playwrights in critical discourse. The essays here have been selected to cover the main elements of the work of each of the four dramatists, with the aim of creating a useful teaching tool for university courses. Since some of the essays selected go back to the 1960s, while others are very contemporary, this volume also offers a perspective on the historical development of critical theory.
Author(s): Frederick J. Marker; Christopher D. Innes
Publisher: University of Toronto Press
Year: 1998
CONTENTS
DATES OF ORIGINAL PUBLICATION
INTRODUCTION
The Dangerous Seductions of the Past: Ibsen's Counter-Discourse to Modernity
Patterns of Structure and Character in Ibsen's Rosmersholm
Marriage, Metaphysics and The Lady from the Sea Problem
The Unspoken Text in Hedda Gabler
Ibsen's Endgame: A Reconsideration of When We Dead Awaken
Strindberg and Ibsen: Toward a Cubism of Time in Drama
Strindberg's Miss Julie and the Legend of Salomé
Strindberg's To Damascus: Archetypal Autobiography
Pirandello's Mirror
Pirandellian Theatre Games: Spectator as Victim
An Author in Search of Characters: Pirandello and Commedia dell'arte
Sicilian Themes and the Restructured Stage: The Dialectic of Fiction and Drama in the Work of Luigi Pirandello
Six Characters: Pirandello's Last Tape
Godotology: There's Lots of Time in Godot
Action and Play in Beckett's Theater
Acting for Beckett
Beckett as Director: The Manuscript Production Notebooks and Critical Interpretation
Being and Non-Being: Samuel Beckett's Not I
Samuel Beckett's Media Plays
Reading as Theatre: Understanding Defamiliarization in Beckett's Art
Roundelay
SUGGESTIONS FOR FURTHER READING
CONTRIBUTORS
INDEX