Midsummer: A Cultural Sub-Text from Chrétien de Troyes to Jean Michel

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This book is based on fresh and original research from archives in France and the Low Countries, concerning customs and beliefs practised around the midsummer solstice. The information has never previously been considered and it reveals a festive treatment of divisiveness, which might also be politically engaged. The book shows how in the twelfth and thirteenth centuries these traditions were not solely observed by the lower classes. A study of texts throughout the Middle Ages shows that the significance of St. John's Day was a valued source for some major writers, and it can be argued that it was even the rationale for works such as Chretien's 'Yvain', and the anonymous 'Perlesvaus'. The midsummer customs also appear in the civic records of Leuven and Metz, in periods where the city authorities were strong enough to break free of feudal controls. Their civic freedom was expressed at the Feast of the Baptist's Nativity, and this appropriation by the bourgeoisie informs the romance, Galeran. The rationale of Midsummer is to examine the disparate, but interlinked uses of the customs, and to bring to the awareness of scholars festive influences current in Europe before the better known influence of Carnival; also to discuss their seminal importance for early fiction and for the theatre. The book further reveals that pre-Christian belief in Chance / Fortune was supported by the phenomenon of the Solstice and that John the Baptist's Nativity, placed on 24 June, provided a way for Christian Fathers to allow for this, safely.

Author(s): Sandra Billington
Series: Medieval Texts and Cultures of Northern Europe, 3
Publisher: Brepols
Year: 2000

Language: English
Pages: 264
City: Turnhout

List of Illustrations ix
Acknowledgements xi
Abbreviations xiii
Introduction 1
SECTION I
1. Power Games at Midsummer 19
SECTION II: ARTHURIAN ROMANCE
2. Chrétien de Troyes: 'Yvain' 49
3. Summer versus Midsummer in the Progress of Love: 'Erec and Enide' and 'Lancelot' 67
4. Midsummer Romances after Chrétien 85
SECTION III: THE URBAN SETTING
5. Civic Power in Louvain and Metz 115
6. Jean Renaut's 'Galeran de Bretagne' 127
7. Bourgeois Satire: 143
(I) ADAM DE LA HALLE'S 'JEL' DE LA FEUILLÉE'
(II) MIDSUMMER FEATURES IN 'SOTTIES'
SECTION IV: THE MORAL PERSPECTIVE
8. Midsummer Satires of Pride 159
9. Religious Theatre 181
Conclusion 199
APPENDICES
A. Fortune Metaphors: Verbal and Visual 213
B. 'Fêtes de Saint-Jean' within the Church in Verdun and Metz 221
C. Cheval -iers 223
D. High Summer in Lyon, 1604 229
E. 'Gargantua', 1534 231
Bibliography 233
Index 245