This volume is about Netherlandish workshop practice from the late fifteenth century to the 1560s. Some articles present the results of new technical studies that are comprehensive in nature, revealing the inter-relationship between prints and painting practices, modes of collaboration, shifts in procedure, the development and use of shop models, and the impact of international commerce. Others present new documentary evidence and new methods of historical statistics revealing trends in workshop size, career trajectories, and immigration. The essays have been collected around the theme of a session on workshop practice organized by Molly Faries for the 2002 Historians of Netherlandish Art International Conference held in Antwerp.
Author(s): Molly Faries
Series: Me Fecit, 4
Publisher: Brepols
Year: 2006
Language: English
Pages: 288
City: Turnhout
Front matter (“Contents”, “Editor’s Foreword”), p. i
Free Access
Making and Marketing: Studies of the Painting Process, p. 1
Molly Faries
https://doi.org/10.1484/M.MEF-EB.3.805
The Saint Reinhold Altarpiece by Joos van Cleve and his Workshop: New Insights into Albrecht Dürer’s Influence on the Working Process, p. 15
Micha Leeflang
https://doi.org/10.1484/M.MEF-EB.3.806
Two Scenes from the Passion at the Harvard Art Museums: a Tale of Two Antwerp Workshops?, p. 43
Ron Spronk, Catharina van Daalen
https://doi.org/10.1484/M.MEF-EB.3.807
A ‘Painter in Black and White’: the Symbiotic Relationship Between the Paintings and Woodcuts of Jacob Cornelisz. van Oostsanen, p. 55
Daantje Meuwissen
https://doi.org/10.1484/M.MEF-EB.3.808
Collaboration in Manuscripts: France and the Low Countries, p. 83
Anne H. van Buren
https://doi.org/10.1484/M.MEF-EB.3.809
Romanism as a Catalyst for Change in Bernard van Orley’s Workshop Practices, p. 99
Maryan W. Ainsworth
https://doi.org/10.1484/M.MEF-EB.3.810
Shop Collaboration in the Painting of Background Landscapes in the Workshop of Pieter Coecke van Aelst, p. 119
Linda Jansen
https://doi.org/10.1484/M.MEF-EB.3.811
Copies, Pastiches, and Forgeries after Bosch, p. 143
Hélène Verougstraete, Roger Van Schoute
https://doi.org/10.1484/M.MEF-EB.3.812
Creativity and Efficiency: Aspects of Joachim Beuckelaer’s Use of Patterns and Models, p. 155
Margreet Wolters
https://doi.org/10.1484/M.MEF-EB.3.813
Jan Massys and Artistic Relationships Between Antwerp and Genoa during the Sixteenth Century, p. 179
Maria Galassi
https://doi.org/10.1484/M.MEF-EB.3.814
Journeymen and Servants: Sixteenth-Century Employment Contracts with Painters from the Netherlands, p. 201
Liesbeth M. Helmus
https://doi.org/10.1484/M.MEF-EB.3.815
Artists by Numbers: Quantifying Artists’ Trades in Sixteenth-Century Antwerp, p. 211
Maximiliaan P.J. Martens, Natasja Peeters
https://doi.org/10.1484/M.MEF-EB.3.816
Bibliography, p. 223
Free Access
Color Plates, p. 244
https://doi.org/10.1484/M.MEF-EB.3.817
Back matter (“Illustration Credits”), p. 277
