Editor: Robert Peck, Associate Professor and Coordinator of Music Theory.
Louisiana State University, School of Music.
Contents: (currently available online - for a limited time).
Welcome -.
Thomas Noll & Robert Peck.
Continued fractions, best measurements, and musical scales and intervals - J. Douthett & R. Krantz.
The legacy of John Clough in mathematical music theory - David Clampitt.
Coherence and sameness in wellformed and pairwise well-formed scales -.
Norman Carey.
Enharmonic systems: A theory of key signatures, enharmonic equivalence and diatonicism -.
Julian Hook.
David Lewin and maximally even sets.
Minimum description length modelling of musical structure.
Panayotis Mavromatis.
Ionian theorem - Thomas Noll.
Well-formedness in two dimensions: a generalization of Carey and Clampitt's theorem -.
Marek Žabka.
On Hellegouarch's definition of musical scales.
Adrien Kassel & Christian Kassel.
Two musical paths to the Farey series and devil's staircase.
Julyan H.E. Cartwright, Jack Douthett, Diego L. González, Richard Krantz & Oreste Piro.
Can computational music analysis be both musical and computational?
Christina Anagnostopoulou & Chantal Buteau.
Welcome.
Thomas Noll & Robert Peck.
http://www.tandfonline.com/doi/pdf/10.1080/17459730701267843.
Continued fractions, best measurements, and musical scales and intervals.
J. Douthett & R. Krantz.
http://www.tandfonline.com/doi/pdf/10.1080/17459730601137799.
The legacy of John Clough in mathematical music theory.
David Clampitt.
http://www.tandfonline.com/doi/pdf/10.1080/17459730701494710.
Coherence and sameness in wellformed and pairwise well-formed scales.
Norman Carey.
http://www.tandfonline.com/doi/pdf/10.1080/17459730701376743.
Enharmonic systems: A theory of key signatures, enharmonic equivalence and diatonicism.
Julian Hook.
http://www.tandfonline.com/doi/pdf/10.1080/17459730701374805.
David Lewin and maximally even sets.
Emmanuel Amiot.
http://www.tandfonline.com/doi/pdf/10.1080/17459730701654990.
Guest Editors’ Foreword.
Elaine Chew, Alfred Cramer & Christopher Raphael.
http://www.tandfonline.com/doi/pdf/10.1080/17459730802312225.
Motivic analysis according to Rudolph Réti: formalization by a topological model.
Chantal Buteau & Guerino Mazzola.
http://www.tandfonline.com/doi/pdf/10.1080/17459730802518292.
Special Issue: Tiling Problems in Music; Guest Editors’ Foreword.
Moreno Andreatta & Carlos Agon.
http://www.tandfonline.com/doi/pdf/10.1080/17459730903086140.
Minimum description length modelling of musical structure.
Panayotis Mavromatis.
http://www.tandfonline.com/doi/pdf/10.1080/17459730903313122.
Ionian theorem.
Thomas Noll.
http://www.tandfonline.com/doi/pdf/10.1080/17459730903309815.
Well-formedness in two dimensions: a generalization of Carey and Clampitt's theorem.
Marek Žabka.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.491975.
On Hellegouarch's definition of musical scales.
Adrien Kassel & Christian Kassel.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.496582.
Two musical paths to the Farey series and devil's staircase.
Julyan H.E. Cartwright, Jack Douthett, Diego L. González, Richard Krantz & Oreste Piro.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.485001.
Can computational music analysis be both musical and computational?
Christina Anagnostopoulou & Chantal Buteau.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.520455.
Distinctive patterns in the first movement of Brahms’ String Quartet in C minor.
Darrell Conklin.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.515421.
Tonal trends and α-motif in the first movement of Brahms’ String Quartet op. 51 nr. 1.
Atte Tenkanen.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.512745.
Harmonic vectors and stylistic analysis: a computer-aided analysis of the first movement of Brahms’ String Quartet Op. 51-1.
Philippe Cathé.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.520446.
Lerdahl's tonal pitch space model and associated metric spaces.
Richard R. Randall & Bilal Khan.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.529654.
Modelling of sonic textures by homogenization.
Isabelle Gruais.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.529676.
Imaginary transformations.
Robert Peck.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.539666.
Music, Experiment and Mathematics in England, 1653–1705.
H. Floris Cohen.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.513277.
Around set theory.
Catherine Losada.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.531214.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.520455.
Distinctive patterns in the first movement of Brahms’ String Quartet in C minor.
Darrell Conklin.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.515421.
Tonal trends and α-motif in the first movement of Brahms’ String Quartet op. 51 nr. 1.
Atte Tenkanen.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.512745.
Harmonic vectors and stylistic analysis: a computer-aided analysis of the first movement of Brahms’ String Quartet Op. 51-1.
Philippe Cathé.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.520446.
Lerdahl's tonal pitch space model and associated metric spaces.
Richard R. Randall & Bilal Khan.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.529654.
Modelling of sonic textures by homogenization.
Isabelle Gruais.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.529676.
Imaginary transformations.
Robert Peck.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.539666.
Music, Experiment and Mathematics in England, 1653–1705.
H. Floris Cohen.
http://www.tandfonline.com/doi/pdf/10.1080/17459737.2010.513277.
Around set theory.
Catherine Losada.
