Jews in Suits: Men’s Dress in Vienna, 1890–1938

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Surviving photographs of Jewish Viennese men during the fin-de-siècle and interwar periods – both the renowned cultural luminaries and their many anonymous coreligionists – all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under researched. Jews in Suits uses a rich range of written and visual sources, including literary fiction and satire, ‘ego-documents’, photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of ‘the Jew’. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self.

Author(s): Jonathan C. Kaplan-Wajselbaum
Series: Dress Cultures
Publisher: Bloomsbury Visual Arts
Year: 2023

Language: English
Pages: 290
City: London

Half Title
Series Page
Title Page
Copyright Page
Contents
Illustrations
Acknowledgments
A Note on Place Names
Introduction
Chapter 1: Europe’s Third Most Jewish City
Chapter 2: Fashioning the Self, Dressing Society: Dress and Identity in Europe’s Third Jewish Capital
Chapter 3: Refashioning the Self: Acculturation, Assimilation, and Clothing
Chapter 4: Strangers in the City: “Rootless” Jews and Urbanity in Vienna
Chapter 5: Der kleine Cohn: Dress and the Function of Mocking through Caricature
Chapter 6: The Man in the Suit: Jewish Writers and Their Clothing
Conclusion
Notes
Bibliography
Index