Identity and History in Non-Anglophone Comics

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This book explores the historical and cultural significance of comics in languages other than English, examining the geographic and linguistic spheres which these comics inhabit and their contributions to comic studies and academia.

The volume brings together texts across a wide range of genres, styles and geographic locations including the Netherlands, Latin America, Greece, Sweden, Poland, Finland, Portugal, Ireland, the Czech Republic, among others. These works have remained out of reach for speakers of languages other than the original and do not receive the scholarly attention they deserve due to their lack of English translations. This book highlights the richness and diversity these works add to the corpus of comic art and comic studies that Anglophone comics scholars can access to broaden the collective perspective of the field and forge links across regions, genres and comic traditions.

Part of the Global Perspectives in Comics Studies series, this volume spans many continents and languages. It will be of interest to researchers and students of comics studies, literature, cultural studies, popular culture, art and design, illustration, history, film studies and sociology.

Author(s): Harriet E.H. Earle, Martin Lund
Series: Global Perspectives in Comics Studies
Publisher: Routledge
Year: 2023

Language: English
Pages: 299
City: London

Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
List of Figures
List of Contributors
Chapter 1 Introduction
Part 1 Identities
Chapter 2 Outwitting the Flemish Past: Willy Vandersteen’s Dealing with Brabant Underdogs in Suske en Wiske’s ‘Het Spaanse spook’ (1948–1950)
Chapter 3 Displacement, Space, and Questions of Belonging: German and Colombian Graphic Novels in Dialogue
Chapter 4 Visual Aspects of Modern Greek Identity
Chapter 5 Mexico’s Conquest, Independence, and Revolution According to Rius
Part 2 Radicalisms
Chapter 6 Socialist Swedish Comics: Anticapitalism, International Solidarity and Whiteness in Johan Vilde and The Phantom
Chapter 7 Abandoning Ideals and Producing Graphic Disillusionment in Suomen suurin kommunisti
Chapter 8 Capitalism, Freedom, Future: Picture of Polish Transformation in the Graphic Novel Osiedle Swoboda
Chapter 9 Dissent and Resistance in Contemporary Portuguese Comics: The Case of Buraco #4 and Porto’s Es.Col.A. Movement
Part 3 Genders
Chapter 10 How to Discuss Sexual Identity, Minority Rights, and Society in Chile?: The Case of Katherine Supnem’s ‘Underground’ Comics
Chapter 11 Questioning the Inescapable Male Gaze in Altarriba and Kim’s El arte de volar and El ala rota
Chapter 12 The Pirate, the Queen, and the Handkerchief: Gráinne Mhaol, an Irishwoman among Men
Part 4 Historiographics
Chapter 13 Expressions of Subjectivity: Recent Historical Events Represented in Twenty-First-Century Chilean Autobiographical Comics
Chapter 14 Punťa the Dog Goes to the Second Italo–Abyssinian War: Czech, Polish, and American Comic Heroes in the Real-World Conflict of 1935–1936
Index