Author(s): Brenda Schmahmann
Series: Routledge Research in Gender and Art
Publisher: Routledge
Year: 2021
Cover
Half Title
Series Page
Title Page
Copyright Page
Contents
List of Figures
List of Contributors
Acknowledgements
Introduction
PART I: Reconfiguring Domestic Life
1. The Aesthetic Labour of Protest, Now and Then: The Women’s Peace Camp at Greenham Common (1981–2000)
2. “Middle Fingers up, put them Hands High”: Rethinking Tracey Moffatt’s Scarred for Life (1994)
3. Bodies, Borders and Law: Tanja Ostojić’s Looking for a Husband with EU Passport (2000–2005)
4. Household Matters: Usha Seejarim’s Venus at Home (2012) and the Politics of Women’s Work
PART II: Critiquing Gender Violence and Abuse
5. Reading Hannah Wilke’s S.O.S. Starification Object Series (1974–1982) in the Era of #MeToo
6. Private Trauma, Public Healing: Hannan Abu-Hussein’s The Vagina Series
7. Transgressive Martyrs in Diane Victor’s Wise and Foolish Virgins (2008)
8. Swoon’s Medea (2017) as a Feminist Intervention: Re-producing the Maternal
PART III: Great Goddess Iconographies
9. Ana Mendieta’s Silueta Series (1973–1980): In and Out of Feminism
10. Clara Menéres’ Woman-Earth-Life (1977) and the Politics of Censorship, Concealment and Vandalism
11. The Female Body and Spirituality in Ilse Fusková’s El Zapallo (1982) Series
PART IV: Body Politics
12. Who Is Afraid of Natalia LL? Consumer Art (1972–1975) and the Pleasures and Dangers of Feminist Art in Communist Poland
13. An Icon for the Aged: Alice Neel’s Self-Portrait (1980)
14. Phaptawan Suwannakudt’s Akojorn (1995): Connecting Women
15. Into the Grave and Back: Psychosomatic Passage through Grief in Lindi Arbi’s Unearthed (2009)
Index
