In How Machines Came to Speak Jennifer Petersen constructs a genealogy of how legal conceptions of “speech” have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies—such as phonographs, radio, film, and computer code—were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens.
Author(s): Jennifer Petersen
Series: Sign, Storage, Transmission
Publisher: Duke University Press
Year: 2022
Language: English
Pages: 298
City: Durham
Cover
Contents
Acknowledgments
Introduction. The “Speech” in Freedom of Speech
1. Moving Images and Early Twentieth-Century Public Opinion
2. “ A Primitive but Effective Means of Conveying Ideas”: Gesture and Image as Speech
3. Transmitters, Relays, and Messages: Decentering the Speaker in Midcentury Speech Law
4. Speech without Speakers: How Speech Became Information
5. Speaking Machines: The Uncertain Subjects of Computer Communication
Conclusion. The Past and Future of Speech
Appendix on Methods
Notes
Bibliography
Index
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