High Anxieties explores the history and ideological ramifications of the modern concept of addiction. Little more than a century old, the notions of "addict" as an identity and "addiction" as a disease of the will form part of the story of modernity. What is addiction? This collection of essays illuminates and refashions the term, delivering a complex and mature understanding of addiction. Brodie and Redfield's introduction provides a roadmap for readers and situates the fascinating essays within a larger, interdisciplinary framework. Stacey Margolis and Timothy Melley's pieces grapple with the psychology of addiction. Cannon Schmitt and Marty Roth delve into the relationship between opium and the British Empire's campaign to control and stigmatize China. Robyn R. Warhol and Nicholas O. Warner examine accounts of alcohol abuse in texts as disparate as Victorian novels, Alcoholics Anonymous literature, and James Fenimore Cooper's fiction. Helen Keane scrutinizes smoking, and Maurizio Viano turns to the silver screen to trace how the representation of drugs in films has changed over time. Ann Weinstone and Marguerite Waller's essays on addiction and cyberspace cap this impressive anthology. 1 b/w photograph, 1 line illustration
Author(s): Janet Farrell Brodie
Edition: 1
Year: 2002
Language: English
Pages: 244
Acknowledgments......Page 10
Introduction......Page 12
Part I: Constructions of Addiction......Page 28
1. Addiction and the Ends of Desire......Page 30
2. A Terminal Case: William Burroughs and the Logic of Addiction......Page 49
Part II: Figures of the Orient......Page 72
3. Narrating National Addictions: De Quincey, Opium, and Tea......Page 74
4. Victorian Highs: Detection, Drugs, and Empire......Page 96
Part III: Demon Drink......Page 106
5. The Rhetoric of Addiction: From Victorian Novels to AA......Page 108
6. Firewater Legacy: Alcohol and Native American Identity in the Fiction of James Fenimore Cooper......Page 120
Part IV: Pleasures, Repressions, Resistances......Page 128
7. Smoking, Addiction, and the Making of Time......Page 130
8. An Intoxicated Screen: Reflections on Film and Drugs......Page 145
Part V: Trauma, Media, Cyberspace......Page 170
9. Welcome to the Pharmacy: Addiction, Transcendence, and Virtual Reality......Page 172
10. If “Reality Is the Best Metaphor,” It Must Be Virtual......Page 186
Notes......Page 202
About The Contributors......Page 236
Index......Page 238