In this engaging and provocative reading of the relations between two canonical Anglo-American authors and the aesthetic culture they helped create, Mich?le Mendelssohn challenges critical assumptions about Aestheticism's response to anxieties about nationality, sexuality, identity, influence, originality and morality. This book, the first fully sustained reading of Henry James's and Oscar Wilde's relationship, reveals why the antagonisms between both authors are symptomatic of the cultural oppositions within Aestheticism itself. The book also shows how these conflicting energies animated the late nineteenth century's most exciting transatlantic cultural enterprise.Richly illustrated and historically detailed, this study of James's and Wilde's intricate, decades-long relationship brings to light Aestheticism's truly transatlantic nature through close readings of both authors' works, as well as nineteenth-century art, periodicals, and rare manuscripts. As Mendelssohn shows, both authors were deeply influenced by the visual and decorative arts and by contemporary artists such as George Du Maurier and James McNeill Whistler. Henry James, Oscar Wilde, and Aesthetic Culture offers a nuanced reading of a complex relationship that promises to transform the way in which we imagine late nineteenth-century British and American literary culture.
Author(s): Michele Mendelssohn
Year: 2007
Language: English
Pages: 328
COPYRIGHT......Page 5
Contents......Page 6
Acknowledgements......Page 8
List of Abbreviations......Page 10
List of Figures......Page 13
INTRODUCTION......Page 18
chapter 1 ‘I have asked Henry James not to bring his friend Oscar Wilde’: Daisy Miller, Washington Square and the Politics of Transatlantic Aestheticism......Page 39
chapter 2 The Gentle Art of Making Enemies and of remaking aestheticism......Page 107
chapter 3 The school of the future as well as the present: Wilde’s Impressions of James in Intentions and The Picture of Dorian Gray......Page 144
chapter 4 ‘Wild thoughts and desire! Things I can’t tell you – words I can’t speak!’: The Drama of Identity in The Importance of Being Earnest and Guy Domville......Page 180
chapter 5 Despoiling Poynton: James, the Wilde Trials and Interior Decoration......Page 214
chapter 6 ‘A nest of almost infant blackmailers’: The End of Innocence in ‘The Turn of the Screw’ and De Profundis......Page 257
BIBLIOGRAPHY......Page 296
INDEX......Page 315