This volume is available on its own or as part of the seven volume set, Greek Literature. This collection reprints in facsimile the most influential scholarship published in this field during the twentieth century. For a complete list of the volume titles in this set, see the listing for Greek Literature [ISBN 0-8153-3681-0]. A full table of contents can be obtained by email: [email protected].
Author(s): Gregory Nagy
Series: Greek Literature, 7
Edition: 1
Publisher: Routledge
Year: 2001
Language: English
Pages: 392
1. Bundy, E. L. 1972. “The Quarrel between Kallimachos and Apollonios: Part I, The Epilogue of Kallimachos’ Hymn to Apollo.” California Studies in Classical Antiquity 5:39-94.
2. Pfeiffer, R. 1955. “The Future of Studies in the Field of Hellenistic Poetry.” Journal of Hellenic Studies 75:69-73.
3. Davies, M. 1988. “Monody, Choral Lyric, and the Tyranny of the Handbook.” Classical Quarterly 38:52-64.
4. Bing, P. 2000. “Text or Performance. Alan Cameron’s Callimachus and His Critics,” La letteratura ellenistica: Problemi e prospettive di ricerca (ed. R. Pretagostini), Quaderni dei Seminari Romani di Cultura Greca 1:139-148.
5. Bulloch, A. 1984. “The Future of a Hellenistic Illusion: Some Observations on Callimachus and Religion.” Museum Helveticum 41:209-230.
6. DePew, M. 1993. “Mimesis and Aetiology in Callimachus’ Hymns.” In A. Harder, R. F. Regtuit, C. G. Wakker, eds., Callimachus: Hellenistica Groningana I, pp. 57-77. Groningen.
Section B. Varieties of Literary Interests
7. Rutherford, I. 1995. The Nightingale’s Refrain: P.Oxy. 2625 = SLG 460. Zeitschrift für Papyrologie und Epigraphik 107:39-43.
8. Yatromanolakis, D. 1999. “Alexandrian Sappho Revisited.” Harvard Studies in Classical Philology 99:179-195.
9. Parsons, P. 1977. “Callimachus: Victoria Berenices.” Zeitschrift für Papyrologie und Epigraphik 25:1-50.
10. Knox, P. E. 1985. “The Epilogue to the Aetia.” Greek Roman and Byzantine Studies 26:59-65.
11. Goldhill, S. 1994. “The Naïve and Knowing Eye: Ekphrasis and the Culture of Viewing in the Hellenisic World.” In S. Goldhill and R. Osborne, eds., Art and Text in Ancient Greek Culture, 197-223. Cambridge.
12. Rengakos, A. 2001. “Apollonius Rhodius as a Homeric Scholar.” In T. D. Papanghelis and A. Rengakos, eds., A Companion to Apollonius Rhodius, 193-216. Leiden.
Section C. Poetic Virtuosity
13. Bowie, E. L. 1985. “Theocritus’ Seventh “ ” Idyll, Philetas and Longus.” Classical Quarterly 35:67-91.
14. Harder, A. 1988. “Callimachus and the Muses: Some Aspects of Narrative Technique in Aetia 1-2.” Prometheus 14:1-14.
15. Gutzwiller, K. J. 1992. “Callimachus’ Lock of Berenice.” American Journal of Philology 113:359-385.
16. Hunter, R. 1992. “Writing the God: Form and Meaning in Callimachus, Hymn to Athena.” Materiali e discussioni per l’analisi dei testi classici 29:9-34.
17. Henrichs, A. 1993. “Gods in Action: The Poetics of Divine Performance in the Hymns of Callimachus.” In A. Harder, R. F. Regtuit, C. G. Wakker, eds., Callimachus: Hellenistica Groningana I, pp. 129-147. Groningen.
