Greek Laughter and Tears: Antiquity and After

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What makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped, and coloured in literature and liturgy, art, and music? Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume  Read more...

Author(s): Margaret Alexiou, Douglas L. Cairns
Series: Edinburgh Leventis studies 8.
Publisher: Edinburgh University Press
Year: 2017.

Language: English
Pages: 0
City: Array
Tags: Laughter -- Greece -- History -- To 1500;Crying -- Greece -- History -- To 1500;Greece -- Civilization;Civilization;Crying;Laughter;Greece

FM......Page 1
CONTENTS......Page 5
LIST OF ILLUSTRATIONS......Page 8
PREFACE......Page 11
NOTES ON CONTRIBUTORS......Page 15
INTRODUCTION......Page 19
LAUGHTER AND TEARS IN EARLY GREEK LITERATURE......Page 43
IMAGINING DIVINE LAUGHTER IN HOMER AND LUCIAN......Page 52
PARODY, SYMBOL AND THE LITERARY PAST IN LUCIAN......Page 70
‘TANTALUS EVER IN TEARS’: THE GREEK ANTHOLOGY AS A SOURCE OF EMOTIONS IN LATE ANTIQUITY......Page 89
‘DO YOU THINK YOU’RE CLEVER? SOLVE THIS RIDDLE, THEN!’ THE COMIC SIDE OF BYZANTINE ENIGMATIC POETRY......Page 101
PHILOGELOS: AN ANTI-INTELLECTUAL JOKE-BOOK......Page 118
‘MESSAGES OF THE SOUL’: TEARS, SMILES, LAUGHTER AND EMOTIONS EXPRESSED BY THEM IN BYZANTINE LITERATURE......Page 137
TOWARDS A BYZANTINE THEORY OF THE COMIC?......Page 158
STAGING LAUGHTER AND TEARS: LIBANIUS, CHRYSOSTOM AND THE RIOT OF THE STATUES......Page 178
LAMENTING FOR THE FALL OF JERUSALEM IN THE SEVENTH CENTURY CE......Page 199
GUIDING GRIEF: LITURGICAL POETRY AND RITUAL LAMENTATION IN EARLY BYZANTIUM......Page 211
MIME AND THE DANGERS OF LAUGHTER IN LATE ANTIQUITY......Page 229
LAUGHTER ON DISPLAY: MIMIC PERFORMANCES AND THE DANGER OF LAUGHING IN BYZANTIUM......Page 242
THE POWER OF AMUSEMENT AND THE AMUSEMENT OF POWER: THE PRINCELY FRESCOES OF ST SOPHIA, KIEV, AND THEIR CONNECTIONS TO THE BYZANTINE WORLD......Page 253
LAUGHING AT EROS AND APHRODITE: SEXUAL INVERSION AND ITS RESOLUTION IN THE CLASSICISING ARTS OF MEDIEVAL BYZANTIUM......Page 273
COMFORTING TEARS AND SUGGESTIVE SMILES: TO LAUGH AND CRY IN THE KOMNENIAN NOVEL......Page 299
DO BROTHERS WEEP? MALE GRIEF, MOURNING, LAMENT AND TEARS IN ELEVENTH- AND TWELFTH-CENTURY BYZANTIUM......Page 320
LAMENTS BY NICETAS CHONIATES AND OTHERS FOR THE FALL OF CONSTANTINOPLE IN 1204......Page 346
‘WORDS FILLED WITH TEARS’: AMOROUS DISCOURSE AS LAMENTATION IN THE PALAIOLOGAN ROMANCES......Page 361
THE TRAGIC, THE COMIC AND THE TRAGICOMIC IN CRETAN RENAISSANCE LITERATURE......Page 383
BELISARIUS IN THE SHADOW THEATRE: THE PRIVATE CALVARY OF A LEGENDARY GENERAL......Page 398
AFTERWORD......Page 411
APPENDIX: CHYROGLES, OR THE GIRL WITH TWO HUSBANDS......Page 421
BIBLIOGRAPHY......Page 428
INDEX LOCORUM......Page 480
INDEX RERUM......Page 490