In decades past, artists envisioned a future populated by technological wonders such as hovercraft vehicles and voice-operated computers. Today we barely recognize these futuristic landscapes that bear only slight resemblance to an everyday reality. Futures Past considers digital media’s transformative impact on the art world from a perspective of thirty years’ worth of hindsight. Herein a distinguished group of contributors—from researchers and teachers to curators and artists—argue for a more profound understanding of digital culture in the twenty-first century.This unprecedented volume examines the disparities between earlier visions of the future of digital art and its current state, including frank accounts of promising projects that failed to deliver and assessments of more humble projects that have not only survived, but flourished. Futures Past is a look back at the frenetic history of computerized art that points the way toward a promising future.
Author(s): Anna Bentkowksa-Kafel, Trish Cashen, Hazel Gardiner
Year: 2008
Language: English
Pages: 128
Front Cover......Page 1
Preliminaries......Page 2
Contents......Page 6
Introduction......Page 12
Painting Digital, Letting Go......Page 16
Microanalysis as a Means to Mediate Digital Arts......Page 24
Indexed Lights......Page 36
A Computer in the Art Room......Page 42
Learning Resources for TeachingHistory of Art in Higher Education......Page 54
Sourcing the Index: Iconography and its Debt to Photography......Page 66
The Medium was the Method:Photography and Iconography at the Index of Christian Art......Page 74
The Good, the Bad and the Accessible:Thirty Years of Using New Technologiesin BIAD Archives......Page 88
Object Information at the Victoria and Albert Museum: Successes and Failures in Web Delivery......Page 98
This is the Modern World: Collaboratingwith ARTstor......Page 114
Towards a Semantic Web: The Role of Ontologies in the Literary Domain......Page 120
CHArt – Computers and the History of Art......Page 136
Back Cover......Page 140