Fragments, Futures, Absence and the Past: A New Approach to Photography

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According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment. Instead of counting on the documentary quality of photography that speaks in the past tense of "what has been", Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of "what could be, if", allowing one to think possible futures instead of harking back to the past.

Author(s): Silke Helmerdig
Publisher: Transcript-Verlag
Year: 2017

Language: English
Pages: 206

Cover
Contents
Introduction. “After Auschwitz” – photography and the principle of hope
Chapter 1. Photography and historiography
Chapter 2. Post-War Germany and its remembrance of the Holocaust
Chapter 3. The representation of absence in photography
Chapter 4: Epilogue. Photography: A future subjunctive for the past
Bibliography
Books
Journals
Websites
Films
Acknowledgements