Italian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities.
Author(s): Stephen Gundle
Publisher: Berghahn Books
Year: 2019
Language: English
Pages: 384
City: New York
Contents
Illlustrations
Acknowledgements
Introduction
Part I — Italian Cinema and Society, 1945–52
Chapter 1 — Postwar Cinema and the Challenges of Democracy
Chapter 2 — The Film Industry from Fascism to the Cold War
Chapter 3 — The Transformation of the Star System
Chapter 4 — The Public, Film-Going and the Stars
Part II — Stardom, Anti-Fascism and Neorealizm
Chapter 5 — Massimo Girotti: Proletarian Apollo
Chapter 6 — Clara Calamai: The Suspension of Glamour
Chapter 7 — Aldo Fabrizi: Nostalgia and Popular Culture
Chapter 8 — Anna Magnani: Authenticity and the Star Persona
Chapter 9 — Andrea Checchi: Shadows of Defeat
Part III — Popular Idols for New Times
Chapter 10 — Totò: Jester of the Republic
Chapter 11 — Silvana Mangano: Beauty and Stardom
Chapter 12 — Amedeo Nazzari: The Hero Domesticated
Chapter 13 — Silvana Pampanini: Dream Girl of the Masses
Chapter 14 — Raf Vallone: The Physiognomy of Fame
Part IV — Reconfigurations of Stardom
Chapter 15 — The Non-professional Actor and Low-Definition Stardom
Chapter 16 — Co-productions and International Stardom
Conclusion
Bibliography
Index
