Exploring Twentieth-Century Vocal Music: A Practical Guide to Innovations in Performance and Repertoire

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The vocal repertoire of the twentieth century--including works by Schoenberg, Boulez, Berio, Larsen, and Vercoe--presents exciting opportunities for singers to stretch their talents and demonstrate their vocal flexibility. Contemporary composers can be very demanding of vocalists, requiring them to recite, trill, and whisper, or to read non-traditional scores. For singers just beginning to explore the novelties of the contemporary repertoire, Exploring Twentieth-Century Vocal Music is an ideal guide.Drawing on over thirty years of experience teaching and performing the twentieth century repertoire, Sharon Mabry has written a cogent and insightful book for singers and voice teachers who are just discovering the innovative music of the twentieth century. The book familiarizes readers with the new and unusual notation systems employed by some contemporary composers. It suggests rehearsal techniques and vocal exercises that help singers prepare to tackle the repertoire. And the book offers a list of the most important and interesting works to emerge in the twentieth century, along with suggested recital programs that will introduce audiences as well as singers to this under-explored body of music.

Author(s): Sharon Mabry
Year: 2002

Language: English
Pages: 208

Contents......Page 14
Part I: New Directions......Page 16
1 The Art of Singing Twentieth-Century Music......Page 20
2 Choosing Appropriate Repertoire......Page 29
3 Vocal Requirements of Twentieth-Century Music: Common Characteristics......Page 43
4 Vocal Coloration......Page 54
Part II: Nontraditional Notation and Extended Vocal Techniques......Page 68
5 The New Language of Notation......Page 74
6 Vocal Hybrids: Sprechstimme and Recitation......Page 92
7 Nontextual Sonic Vocabularies......Page 120
8 Vocal Effects......Page 137
Part III: Repertoire Choices......Page 156
Appendix A: SAMPLE PROGRAMS......Page 158
Appendix B: SUGGESTED REPERTOIRE......Page 169
Appendix C: SOURCES FOR COMPOSER AND SCORE LOCATION......Page 196
Bibliography......Page 202
E......Page 204
O......Page 205
V......Page 206
Z......Page 207