This collection of brief but insightful essays, though always returning to the author’s central conviction that the quality of artistic endeavour depends not on individuals of genius but on the attitude of the public towards art itself, examines a wide variety of unique but related issues: the relationship between natural and artistic beauty; the genius of Da Vinci and Nicholas Poussin; the influence of femininity on European art; the importance of good criticism; art as a social phenomenon; the role of the passions; and a range of associated topics.
First published in 1919, A. Clutton-Brock’s reflections on the nature and function of art bear the marks of the deep anxieties following the First World War, and can thus speak to a generation similarly faced with uncertainty.
About the Author
Arthur Clutton-Brock was a distinguished essayist and journalist of the turn of the 18th and the 19th century but he was also an art critic. Thanks to his multiple talents, he analysed the works of poets such as Shelley in Shelley: The Man and the Poet but also of well-known painters such as William Morris in William Morris: His Works and Influence
Author(s): A. Clutton-Brock
Series: Routledge Revivals
Edition: 2
Publisher: Methuen & Co. Ltd
Year: 1920
Cover
Half Title
Title Page
Copyright Page
Original Title Page
Original Copyright Page
Preface
Table of Contents
"The Adoration of the Magi"
Leonardo da Vinci
The Pompadour in Art
An Unpopular Master
A Defence of Criticism
The Artist and His Audience
Wilfulness and Wisdom
"The Magic Flute"
Process or Person?
The Artist and the Tradesman
Professionalism in Art
Waste or Creation?