This collection draws together scholarship from across fields of ecocriticism, ecoGothic, garden history, Romantic and Victorian studies and environmental humanities to explore how the garden in nineteenth-century Europe could be a place of disturbance, malevolence and haunting. Ranging from early nineteenth-century German fairy romance to early twentieth-century turbulence in children’s stories, gardens feature as containers and catalysts for emotional, spiritual and physical encounters between vegetal and human lives. The garden is considered a restorative place, yet plants are not passive: they behave in accordance with their own needs; they can ignore or engage with humankind in their own interests. In these chapters, human and vegetal agency is interpreted through ecoGothic investigation of uncanny manifestations in gardens – hauntings, psychic encounters, monstrous hybrids, fairies and ghosts – with plants, greenhouses, granges, mansions, lakes, lawns, flowerbeds and trees as agents and sites of uncanny developments, leading to disaster and death, radical life-changes, wisdom and sorrow. These Gothic garden stories illustrate our anxieties related to destruction at any level, and the chapters here provide unique insights from across the long nineteenth century into how plant life interacts uncannily with human distress and well-being.
Author(s): Sue Edney
Edition: 1
Publisher: Manchester University Press
Year: 2020
Language: English
Tags: ecocriticism, garden; nineteenth century; ecoGothic; uncanny; vegetal; environmental; haunting; ecocritical; agency
Front matter
Contents
List of figures
List of contributors
Foreword: On the Gothic nature of gardens
Acknowledgements
Introduction: Phantoms, fantasy and uncanny flowers
Deadly gardens: The ‘Gothic green’ in Goethe and Eichendorff
‘Diabolic clouds over everything’: An ecoGothic reading of John Ruskin’s garden at Brantwood
The Gothic orchard of the Victorian imagination
Gothic Eden: Gardens, religious tradition and ecoGothic exegesis in Algernon Blackwood’s ‘The Lost Valley’ and ‘The Transfer’
‘That which roars further out’: Gardens and wilderness in ‘The Man who Went too Far’ by E. F. Benson and ‘The Man whom the Trees Loved’ by Algernon Blackwood
Darwin’s plants and Darwin’s gardens: Sex, sensation and natural selection
‘Tentacular thinking’ and the ‘abcanny’ in Hawthorne’s Gothic gardens of masculine egotism
Green is the new black: Plant monsters as ecoGothic tropes; vampires and femmes fatales
Death and the fairy: Hidden gardens and the haunting of childhood
Presence and absence in Tennyson’s gardens of grief: ‘Mariana’, Maud and Somersby
Blackwater Park and the haunting of Wilkie Collins’s The Woman in White
Afterword: Z Vesper, the Wilderness Garden, Powis Castle
Index