East European Cinemas

Cover
Half Title
Title
Copyright
Contents
list of illustrations
acknowledgments
introduction east european cinemas in new perspectives
part one: gender identity and representation
1. second world-ness and transnational feminist practices: agnieszka holland's kobieta samotna (a woman alone)
2. what's in your head: history and nation in ibolya fekete's false vita and ghetto art's making the walls come down
3. playing the western eye: balkan masculinity and post-yugoslav war cinema
4. the politics of representing gender in contemporary polish cinema and visual art
5. voices from another world: feminine space and masculine intrusion in sedmikrásky and vražda ing. c̆erta
part two: (post)modernist continuities
6. somewhere in europe: exile and orphanage in post—world war II hungarian cinema
7. global aesthetics and the serbian cinema of the 1990s
8. traumatic memory, jewish identity: remapping the past in hungarian cinema
9. the ironies of history: the czech experience
10. gábor bódy: a precursor of the digital age
11. chaos, intermediality, allegory: the cinema of mircea daneliuc
part three: regional visions
12. reframing europe's double border
13. reliving the past in recent east european cinemas
14. fragmented discourses: young cinema from central and eastern europe
15. the cinema of eastern europe: strained loyalties, elusive clusters
notes on contributors
index