Early Netherlandish Painting: Its Origins and Character: Volume 1

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This book clarifies the historical premises of the achievement of Hubert and Jan van Eyck. It helps to assess what we know about their style and to chart the course of those ensuing developments to constitute the main stream of the Early Netherlandish tradition.

Author(s): Erwin Panofsky
Publisher: Routledge
Year: 2019

Language: English
Pages: 621
City: London

Cover
Half Title
Title
Copyright
PREFACE
CONTENTS
LIST OF ILLUSTRATIONS IN VOLUME ONE
Introduction THE POLARIZATION OF EUROPEAN FIFTEENTH-CENTURY PAINTING IN ITALY AND THE LOWLANDS
I FRENCH AND FRANCO-FLEMISH BOOK ILLUMINATION IN THE FOURTEENTH CENTURY
II THE EARLY FIFTEENTH CENTURY AND THE "INTERNATIONAL STYLE"
III SCULPTURE AND PANEL PAINTING ABOUT 1400; THE PROBLEM OF BURGUNDY
IV THE REGIONAL SCHOOLS OF THE NETHERLANDS AND THEIR IMPORTANCE FOR THE FORMATION OF THE GREAT MASTERS
V REALITY AND SYMBOL IN EARLY FLEMISH PAINTING: "SPIRITUALIA SUB METAPHORIS CORPORALIUM"
VI "ARS NOVA"; THE MASTER OF FLÉMALLE
VII JAN VAN EYCK
VIII HUBERT AND/OR JAN VAN EYCK; THE PROBLEMS OF THE GHENT ALTARPIECE AND THE TURIN-MILAN HOURS
IX ROGER VAN DER WEYDEN
Epilogue THE HERITAGE OF THE FOUNDERS
NOTES
CONDENSED BIBLIOGRAPHY
INDEX
ILLUSTRATIONS AT END OF VOLUME