Early Medieval Text and Image 1: The Insular Gospel Books

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When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis.

This volume brings together nine studies of the Insular Gospel Books. One of them, on the iconography of the St Gall Gospels (Essay 9), was left completed, but unpublished, on the author’s death. It appears here for the first time. The remaining studies, published between 1987 and 2013, examine certain themes and motifs that inform the Gospel Books: their implicit Christology, their harmonisation of the four Gospel accounts, the depiction of Christ crucified, and the portrayal of St John the Evangelist. Two of the Books, the Durham Gospels and the Gospels of Mael Brigte, receive particular attention. (CS1079).

Author(s): Jennifer O'Reilly
Series: Variorum Collected Studies 1079
Publisher: Routledge
Year: 2019

Language: English
Pages: 392
City: London

Cover
Half Title
Series Page
Title
Copyright
CONTENTS
List of illustrations
Preface
Introduction
1 Early medieval text and image: the wounded and exalted Christ
2 The Hiberno-Latin tradition of the evangelists and the Gospels of Mael Brigte
3 Gospel harmony and the names of Christ: Insular images of a patristic theme
4 Patristic and Insular traditions of the evangelists: exegesis and iconography
5 ‘Know who and what he is’: the context and inscriptions of the Durham Gospels Crucifixion image
6 The image of orthodoxy, the mysterium Christi and Insular Gospel books
7 St John the Evangelist: between two worlds
8 Seeing the crucified Christ: image and meaning in early Irish manuscript art
9 The St Gall Gospels: art and iconography
Index of Manuscripts
Index