This volume examines five early modern novels from the seventeenth century in Spain and France as examples of literature as a form of skeptical inquiry: Cervantes’s Don Quijote, Zayas’s Desengaños amorosos, Scarron’s Roman comique, Cyrano de Bergerac’s L’Autre Monde, and Mme. de Lafayette’s Zayde.
These early modern novels encourage readers to take a critical stance toward accepted beliefs, through content that stages multiple encounters with the shockingly unfamiliar as well as through experiments in literary form, especially the interpolated story. At its broadest reach, this study asserts the fundamental value of literature as a means of encouraging discernment, recognizing the illusory, and honing critical acuity. In terms of the particularity of the historical moment, the volume also identifies the early modern novel as uniquely able to represent the conflicting value spheres of early modernity because of its ability to present multiple voices and its fascination with conflicting vantage points.
Due to its interdisciplinary nature, Disenchantment, Skepticism, and the Early Modern Novel in Spain and France appeals to literary scholars and intellectual historians of the early modern period in Europe, as well as to advanced undergraduates and postgraduates studying the early novel, intellectual history, and philosophy of literature.
Author(s): Ann T. Delehanty
Series: New Interdisciplinary Approaches to Early Modern Culture: Confuences and Contexts
Publisher: Routledge
Year: 2022
Language: English
Pages: 181
City: London
Cover
Half Title
Series
Title
Copyright
Contents
Acknowledgments
Introduction
I. Sextus Empiricus
II. The Skeptical Novel
Contradictory Encounters, Contingency, and Shock
Representation and Reality
Creating Distance Through Form
1 Don Quijote and the Lessons of Shock
I. Admiración
II. Sancho Panza as Skeptic
III. Readerly Responses
2 Interrogating Social Categories in María de Zayas’s Desengaños amorosos
I. Formal Strategies for Epistemic Effect
II. Doubting Gender and Class: “Amar sólo por vencer”
III. Doubting Cultural Convention: “Mal presagio casar lejos”
IV. Doubting Storytelling: “Tarde llega el desengaño”
3 Scarron’s Roman comique and the Dangers of Undifferentiability
I. Creating Distance Through Form
II. L’histoire de l’amante invisible
III. Le Destin
4 Cyrano de Bergerac’s L’Autre Monde and the Critique of Fixity
I. Questioning Language and Narrative Form
II. Questioning Culture and the Material
III. The Magnet Model
5 Madame de Lafayette’s Zayde and the Insuperability of Alienation
I. Alphonse
II. Félime
III. Consalve
Conclusion
Index