Discovering Gilgamesh: Geology, Narrative and the Historical Sublime in Victorian Culture

In 1872, a young archaeologist at the British Museum made a tremendous discovery. While he was working his way through a Mesopotamian 'slush pile', George Smith, a self-taught expert in ancient languages, happened upon a Babylonian version of Noah's Flood. His research suggested this 'Deluge Tablet' pre-dated the writing of Genesis by a millennium or more. Smith went on to translate what later became 'The Epic of Gilgamesh', perhaps the oldest and most complete work of literature from any culture. Against the backdrop of innovative readings of a range of paintings, novels, histories and photographs, this work demonstrates the Gordian complexity of the Victorians' relationship with history, while also seeking to highlight the Epic's role in influencing models of time in late-Victorian geology.